Entertainment
Did Ayinla Omowura kill Epo Akara’s band members in 1975? | By Festus Adedayo
For 45 years now, a subsisting rumour has circulated in the Yoruba music world, gaining the currency of reality everyday. It is the allegation that a fatal accident in 1975 which involved Ibadan-based musician and Awurebe music crooner, Dauda Epo Akara and which killed two of his band boys – Dauda and Omoboade – had the hands of late Apala music maestro, Ayinla Omowura, in it.
The accident generated so much hoopla. Ayinla reportedly placed a spell on Epo Akara’s vehicle. The theory was that, having cursed a Dauda, Epo Akara’s powerful native drug neutralizer rebounded the curse off him, which then went to Dauda, his band member.
Taking the speculation a notch higher, it was said that a few weeks after the accident, Omowura went to Epo Akara’s Popo Yemoja home in Ibadan and on meeting his father, congratulated him for having effectively soaked his son in phials that deflected his incantations off his head.
In memorializing the accident where 14 of them travelled and had an accident at Alapako, outskirts of Ibadan, Epo Akara sang, Awa merinla, awa merinla r’ajo o…
In my book, Ayinla Omowura: Life and Times of an Apala Legend which will be on sale from May 6, 2020, I sought to take the wind off the sail of this allegation. Sule Epo, one of Epo Akara’s band boys, whose stage name was Oyinmiyinmi, in an interview, described this as mere rumour and indeed, baseless.
He described the duo of Ayinla and Epo Akara as bosom friends and attributed the unfounded allegation to the handiwork of their foes. He said that Ayinla never cursed Epo Akara or the vehicle the band was travelling in and that the accident was caused by a huge fog which affected the visibility of the driver.
Another person interviewed was Sakaniyawu Ishola, one of Epo Akara’s band members. He joined the band in 1973. He was with Epo till his death. Sakaniyawu was in the ill-fated vehicle and he confirmed that the band boys were dead drunk on the journey. He said that on the said day, the Epo band had gone for a marriage ceremony which took place in Ilupeju, Lagos. The band met Omowura singing at the event as he was engaged to sing for the afternoon. According to Sakaniyawu, the Epo band got there at around 3pm.
“As we got there and our musical instruments were being brought down by the parker boys, Epo Akara went and met Ayinla Omowura where he was playing on the bandstand and the two brothers embraced and greeted each other. When we also began our own play, Ayinla came to the stage to salute Epo Akara. They both greeted each other again. That was what I saw,” Sakaniyawu said.
Asked how true the claim was that on that day, many of the people who had gathered to watch the gigs of the duo left Ayinla and flocked to Dauda’s stage, Sakaniyawu said it was true. He attributed this to the fact that many of those who were there had never heard the voice of Dauda before. Another source attributed it to the fact that many of those who gathered at the function were Ibadan sons and daughters who saw in Epo Akara, a gravitation towards home.
Could a line of a song by Ayinla, to wit, “won ba wa laba won fe sako, ori ere ni moto won mi a jabo – they met us in the village and are gallivanting; your vehicle would have an accident!” be the link of Omowura to the accident? Ayinla sang that song in 1973.
It couldn’t have been directed at Epo Akara because the accident under reference happened in 1975.
Epo Akara, great musician and one of the best from Ibadan, literally died unsung. His house beside Guru Maharaj Ji’s den is uncompleted. The state government never did anything to memorialize him.
Ayinla’s lot is different. Ex-Governor Ibikunle Amosun of Ogun State changed the face of Omowura’s home in Itoko, probably an acknowledgment of how he put Egbaland and Ogun State on the map of world musical history.
Omowura’s children I interviewed for my book were full of profuse praises for this past government in Ogun. Will Governor Seyi Makinde do same for Epo Akara?
Popular Nigerian singer, Adekunle Kosoko, better known as Adekunle Gold, and his wife, Simisola Kosoko, also known as Simi, have welcomed a set of twin babies.
The singer announced the good news via his Snapchat story on Wednesday.
“Asked God for another child and He blessed me double,” Simi wrote.
Although the gender of the babies has not been disclosed, the announcement has since attracted congratulatory messages from fans, colleagues and well-wishers across the entertainment industry.
The development comes months after Simi had hinted at her pregnancy. In December, she shared a video on Instagram, captioned, “From my baby, for my babies,” with the clip showing her baby bump.
The arrival of the twins also comes weeks after Simi featured in a snippet from Adekunle Gold’s recently released music video titled My Love Is the Same.
Adekunle Gold and Simi got married in 2019 after years of friendship and musical collaboration. Both artistes were formerly signed to X3M Music early in their careers and have since remained one of Nigeria’s most celebrated celebrity couples.
The couple welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
Renowned Tungba gospel musician, Dr Yinka Ayefele, has released a new studio album titled Reflections, adding another chapter to his long-standing influence in Nigeria’s gospel music scene.
The album, which was released on Monday, December 22, 2025, blends introspection with praise, as Ayefele reflects on life, faith and gratitude to God, drawing from personal experiences marked by trials, near-tragedies and triumphs.
Announcing the release in a statement, the Group Head of Corporate Affairs, Fresh Nigeria and Yinka Ayefele Limited, Samson Akindele, said the album captures the musician’s deep reflections on life and his renewed commitment to thanksgiving and praise through music.
Musically, Reflections is rooted in Ayefele’s signature Tungba style, featuring energetic drum percussions, rich string arrangements and call-and-response patterns, supported by harmonious backup vocals from the Merry Makers Band.
The album also incorporates diverse elements, including Tungba hymnals and an Arabic praise chant rendered by a budding female talent, Harike Jesu, who additionally delivers a danceable Fuji-inspired track.
According to details of the project, the opening track focuses on Ayefele’s life journey and lessons drawn from past experiences, while subsequent tracks express appreciation to fans and sustain a flow of upbeat, dance-friendly rhythms.
Reflections is available on major digital streaming and download platforms, including Spotify, Boomplay, Apple Music, Amazon Music, Audiomack, YouTube Music, Deezer and Tidal.
The compact disc version is expected to be released in the coming days under the Yinka Ayefele Music label.
Jamaican reggae icon, Jimmy Cliff, is dead. He died on Monday at the age of 81.
His wife, Latifa Chambers, announced the singer’s passing in a statement posted on his official Instagram page.
Chambers said Cliff “crossed over due to a seizure followed by pneumonia,” describing the loss as “profoundly saddening.”
She wrote, “I am thankful for his family, friends, fellow artists, and coworkers who have shared his journey with him. To all his fans around the world, please know that your support was his strength throughout his whole career.”
Cliff, revered as one of reggae’s defining figures and widely regarded as the genre’s most influential artiste after the late Bob Marley, enjoyed a stellar career that spanned more than four decades.
A multi-instrumentalist known for classics such as You Can Get It If You Really Want and The Harder They Come, Cliff blended reggae with folk, soul, ska and rock. His music frequently tackled themes of politics, poverty, injustice and social resistance.
He shot to global prominence following the release of the 1972 film The Harder They Come, in which he starred. The movie, partly inspired by his tough upbringing, played a pivotal role in pushing Jamaican reggae onto the world stage.
Reacting to his death, Jamaica’s Prime Minister, Andrew Holness, described Cliff as “a true cultural giant whose music carried the heart of our nation to the world.”
“His music lifted people through hard times, inspired generations, and helped to shape the global respect that Jamaican culture enjoys today,” Holness said.
“Walk good, Jimmy Cliff. Your legacy lives on in every corner of our island and in the hearts of the Jamaican people,” he added.
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