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Sikiru Ayinde Barrister: 9 Years Without Fuji Exponent | By Waheed Ganiyu

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Exactly 9 years ago, Nigerian music icon, Dr. Sikiru Ololade Ayinde Balogun popularly known across the globe as Sikiru Ayinde Barrister, Alhaji Agba and Mr. Fuji died at St. Mary’s Hospital, London, United Kingdom. Incontrovertibly, Barrister is regarded as the Fuji creator.

Prior to naming his own brand of music as Fuji what it used to be was ‘were’ genre, which served as a means of entertaining the Muslim faithful during the month of Ramadan. But Sikiru Ayinde established Fuji, a name which according to him was derived from a mountain in Japan (Mount Fuji). Obviously, Barrister made Fuji genre to have commercial appeal.

During his lifetime , Barrister had over 100 albums to his  name and he inspired not only Fuji musicians, but from other genres. According to Sir Shina Peters, Barrister inspired him to release his debut ‘Aye’ in 1989. Shina was challenged when he saw how Barrister combined different juju music instruments in ‘Fuji Garbage’ series 2, in 1988.

Call him a prophet, you’re correct. There’s no doubt that Barrister had the premonition of the present insecurity and other social challenges bedevilling the country. In ‘Precaution’ released in 1995, he sang ‘mo sun mo la ala ala to buru, mo ri pe a n jagun ni Nigeria’ , meaning ‘I had a nightmare that Nigeria is in war’. And truly, Nigeria was grappled with insurgency, thank God they are technically ‘defeated’ now. Maybe the economic meltdown was part of Barrister’s nightmare.

Barrister also made significant contributions to the enthronement of Nigeria’s democracy. In his album ‘Truth'(1994). He called on the political office holders to make service their watchword. He challenged them to take into consideration the welfare of the electorates. Also in ‘Precaution’ he openly advocated for the release of Chief MKO Abiola and other political detainees ‘ka ni kan fi Moshudi sile MK Abiola’

He has always been on the side of the down-trodden. He used every opportunity to lament the suffering of the poor masses. ‘ka ma puro o mekunnu n jiya o, ka’ye san wo ina lai ma ma ri na o, k’aye san wo omi lai ma ma r’omi o. Meaning ‘truly, the poor are suffering by paying utility bills for service not rendered- electricity and water. Barrister lamented this in his album released preparatory to 1983 general elections ‘Nigeria’.

Many businesses had benefited from Barrister’s advertisement prowess. Some enterprises who were not enjoying popularity were made known in his albums. For instance in ‘Ijo Olomo’ released in 1983, he eulogised Chief Modupe Badero(Naira Pools) ‘ B’omode máa wi o Naira Pools ni…kin ni kan lo yato ti won fi j’olori , Saturday lo n san wo e, Atewolara ni won wa be de Mushin e beere’. Naira Pools also enjoyed mention in ‘Appreciation'(1984), ’emi a ta Naira Pools ni te mi, gbogbo wa la o ta’…
Barrister also extended the same gesture to Chief Rasaki Akanni Okoya in ‘Iwa'(1982),’ma jese mi o gb’ofo, Eleganza gbami odun de’. The business magnate was a major importer of footwear then.

All Barrister’s works which cover politics, humanity, discipline, celebration and others remain evergreen. His usual intervention as a commentator in the socio-political discourse is missing. Irrespective of the controversy surrounding the creator of Fuji music, I align with Saheed ‘Osupa that ‘Barry ni Fuji, e ma wule janpata’, ‘Barrister is Fuji, no argument’

Born in Ibadan, February 9, 1948, Sikiru Ayinde Barrister attended Model School Mushin and Yaba College of Technology. He started as ‘ajiwere’, in 1958 at Mushin, Lagos. He joined the Nigerian Army in 1958. His focus on music career prompted his resignation from the military in 1976. May his soul rest in peace.

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Sean Dampte causes stir after calling on Nigerian Radios, TVs to drop South African content, drags lazy youths

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Sean Dampte

Afrobeats singer Sean Dampte has stirred fresh conversations online after calling on Nigerian media platforms to temporarily suspend the promotion of South African entertainment content, while also delivering a blunt message to young Nigerians about the importance of hard work.

The singer made the remarks during a recent radio interview, where he discussed the need for Nigeria to place greater value on its entertainment industry and cultural influence across Africa.

Speaking passionately, Sean Dampte argued that Nigerian radio stations, television networks, DJs, presenters and other media stakeholders should prioritise local content over South African productions, insisting that Nigeria has contributed immensely to the growth of African entertainment and deserves greater respect in return.

According to the “Ajinomoto” crooner, Nigerian media should leverage its influence to protect the country’s creative industry and ensure Nigerian artistes receive the recognition and support they deserve.

While he did not suggest that the suspension should be permanent, his comments have generated mixed reactions among fans and industry observers. Some have applauded his stance, describing it as a bold call to protect Nigerian interests and promote homegrown talent. Others, however, argue that entertainment should remain a bridge for cultural exchange rather than become entangled in political or diplomatic disagreements.

Beyond the conversation on media and cultural identity, Sean Dampte also addressed Nigerian youths, stressing the importance of diligence and personal responsibility in the face of the country’s economic realities.

Delivering what has since become one of the interview’s most talked-about moments, the singer declared:

“If you no hustle, na Sapa be the penalty.”

The statement quickly resonated across social media, with many users adopting it as a catchy slogan that reflects the everyday struggles faced by many young Nigerians.

Sean Dampte’s comments have continued to spark debate over whether Nigerian media should adopt stronger measures to protect local content or maintain an open approach that promotes entertainment across the African continent.

As discussions continue online, his remarks have once again placed the intersection of music, culture and national identity at the centre of public conversation, proving that the singer is unafraid to voice opinions capable of igniting widespread debate.

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Nigeria must be a place where children can dream without fear — Sean Dampte

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Nigerian singer and humanitarian Sean Dampte has expressed deep concern over reports of mass abductions and growing insecurity across communities in South-West Nigeria, calling for urgent action to protect lives and restore public confidence.

In a heartfelt statement, Dampte lamented the fear and uncertainty facing families, students, and educators in affected communities. He stressed that no child should leave home for school only to become the subject of desperate prayers before returning safely, and that no teacher should have to work under the constant threat of abduction.

Describing the situation as a national concern that transcends politics, ethnicity, religion, and social media debates, the entertainer emphasised that real lives and families are being affected by the crisis.

“My heart is heavy over the reports of mass abductions and the fear spreading across communities in South-West Nigeria,” he said, adding that the pain experienced by victims and their loved ones should never be ignored or normalised.

Sean Dampte expressed solidarity with affected families and communities living in fear, while also joining other Nigerians in demanding immediate and decisive action from authorities. He urged relevant security agencies and government institutions to strengthen the protection of schools, secure vulnerable communities, and ensure the safe return of all abducted persons.

The singer concluded by reiterating his vision for a safer nation, stating that “Nigeria must be a place where children can dream without fear.”

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Adekunle Gold, Simi welcome twins

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Popular Nigerian singer, Adekunle Kosoko, better known as Adekunle Gold, and his wife, Simisola Kosoko, also known as Simi, have welcomed a set of twin babies.

The singer announced the good news via his Snapchat story on Wednesday.

“Asked God for another child and He blessed me double,” Simi wrote.

Although the gender of the babies has not been disclosed, the announcement has since attracted congratulatory messages from fans, colleagues and well-wishers across the entertainment industry.

The development comes months after Simi had hinted at her pregnancy. In December, she shared a video on Instagram, captioned, “From my baby, for my babies,” with the clip showing her baby bump.

The arrival of the twins also comes weeks after Simi featured in a snippet from Adekunle Gold’s recently released music video titled My Love Is the Same.

Adekunle Gold and Simi got married in 2019 after years of friendship and musical collaboration. Both artistes were formerly signed to X3M Music early in their careers and have since remained one of Nigeria’s most celebrated celebrity couples.

The couple welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.

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