Opinion
The trials of Brother Osinbajo | By Festus Adedayo
Anyone who has access to a political barometer will see clearly that Aso Rock is quaking at the moment. The dusts the quake is provoking is so huge that it can block nasal passages. You only need to make use of the barometer and become Johnny Nash instantly. Nash?
John Lester “Johnny” Nash, Jr. was an American reggae and pop music singer-songwriter who was best known for his 1972 hit song he labeled I can See Clearly Now. In the song, Nash acknowledged his erstwhile inability to visualize critical occurrences but proclaimed thereafter that, “I can see clearly now the rain is gone// I can see all obstacles in my way//Gone are the dark clouds that had me blind//It’s gonna be a bright (bright) Bright (bright) sunshiny day.
In the last few weeks, there have been snippets of very disturbing news sneaking out of the Nigerian seat of power. They are indicative of the fact that Vice President Yemi Osinbajo has been under the buffeting of his boss, Muhammadu Buhari. The snippets, though seemingly hazy, are very glaring to those who understand the tone and tenor of presidential seat of power dissonances in a Third World like Nigeria. Most times, the dissonance does not obey the geography of such, all over the world, especially in mature democracies. It could be triggered by inane, mundane and very illogical indices. It could even be an insignificant, incorrigible and absolutely irresponsible allegation as the occupiers of the seats’ mutual spousal disagreements. In most cases however, the dissonances are founded on projected power calculus and perceived rupture of this calculation. The victim does not have to deliberately hurt the calculus. When the projections of power are shaken, they are stimuli for taking very sweeping jabs at the lower occupier of power seat.
When Buhari went on his earlier UK search for health remedy to an undisclosed ailment, it was a top gossip in the seat of power that Osinbajo, engrossed in a prayer session with his Redeemed Christian Church of God (RCCG) accomplices in his home state of Ogun, and frantically being prayed for, for God to make him president by one of the pastors who starred at the prayer session, didn’t know that a strong ally of Buhari – unbeknown to the ally that such “prayer coup” was ongoing – had entered their midst, innocently there to pay obeysance to the VP. Still with their eyes closed, the prayer warriors nearly prayed that the ground should swallow them when, upon opening their eyes, they saw the president’s ally with them. If you were praying the VP into the office of the president, with the VP shouting thunderous “Amen” to your prayer, weren’t you praying for the boss’ death? That was the first infraction against the laws of power the VP was said to have committed. And one of the reasons Osinbajo hounded and still harangues the ally till today.
The second foot Osinbajo reportedly hit against the stone was said to be his role during Buhari’s AWOL shuttle to his infirmary. That Walter Onnoghen, allegedly primed to package Buhari inside a judicial casket during the 2019 elections, emerged acting Chief Justice of the Federation through his acting pen angered Villa power apparatchik, so much that they imputed a political Judas into Osinbajo’s act. The removal of Lawal Daura, erstwhile Director-General of Department of State Services on August 7, 2018 also rankled these owls.
If Osinbajo stepped on their mamba’s tail by this act, he fiddled with their lion’s tail subsequently when, at a conference of Online Publishers Association of Nigeria (OPAN), he unabashedly said that, before Saturday, January 12, Buhari was not aware of Onogohen’s trial. What this did was to populate and give official imprimatur to the belief that Buhari was just a mere scarecrow decorating the patio of Aso Rock. As if wearing Omoyele Sowore’s activists’ bandana, the VP also told whoever was behind the Onnoghen trial that, “It has consequences such as we have today, such that people say how can such an important person be subjected to trial without the Federal Government.”
More stinging to this set of people known as the cabal, was the fact that Osinbajo sidelined all of them in his decision-taking during the period, was already strutting hither thither like an accursed turtle-dove which, to them, added to the coup-prayer session, was an apparent indication that he was sure Buhari wouldn’t come back and the clock was ticking for the cabals at the Villa.
Unforgiving and vengeful as the power vultures surrounding the president can be, they swallowed this rheum, even past the electioneering period. When they were sure that the VP believed it was peace and safety, they unleashed their dragons. The first in tow was the disbandment of the Economic Management Team (EMT) that he previously headed and its replacement with an Economic Advisory Council (EAC) under the chairmanship of Doyin Salami. Buhari was not done in his castration of his VP, he instructed him to thenceforth seek approvals for all the agencies under his suzerainty. Osinbajo was chair of National Emergency Management Agency (NEMA), National Boundary Commission, Border Communities Development Agency and Niger Delta Power Holdings Ltd. Bothered by the impression that this calibration of a man who was aiming that if fate smiled at him, he could be a Buhari in 2023, his aides began a move to robe an Omoye whose madness, the Yoruba say, had reached the market-place in her disgraceful nakedness.
The most recent in the list of artillery fires shot at the VP is the removal of his aides, 35 in all. The ding-dong over the authenticity of this claim has been baffling. While government loyalists initially claimed that opposition was merely crying wolf, the press ferreted out the list. While the VP’s aide denied that there was a sack, Garba Shehu, his counterpart with Buhari, claimed that there was indeed a rout but it was in “our interest” – the people of Nigeria, that is.
On Thursday night, the VP aide had tweeted, “a list circulating in the media on the so-called sacked presidential aides is not genuine and ought to be ignored,” while his colleague, after a long-winding and circuitous merry-go-rounding, in one breath submitted that “the Presidency wishes to strongly deny rumours of a rift between President Muhammadu Buhari and Vice President Yemi Osinbajo,” but in another breath, said that, indeed, “there is, on-going, an unprecedented overhaul of the nation’s seat of government, arising from which a number of political appointments have either been revoked or not renewed in the Second Term,” but that it was in our interest as a people, so as “to streamline decision-making, cut down multiple authorities and reduce the cost of administration,” and that “the office of the Vice President, Yemi Osinbajo has, in compliance with the directive of the President, equally been shed of a number of such appointees.” As a parting shot, strictly for the birds, Shehu had said, “The streamlining was not personal or targeted to undermine the Vice President’s office, as the so-called insider sources quoted by the media appear to make it seem.”
There are some issues of national concern in the shrouded brickbats between the VP and his boss. One is that, the two officers of the presidency are as dissembling and riotous as the lack of locus among their bosses, as well as the messages they communicate. If you take the dislocations in their messages as symptomatic of the presidency, then you would be acquitted by logic if you submit that the Villa is currently a house of commotion.
Common sense is on sabbatical, especially in the release by Shehu. If the presidency had been cutting cost, how many aides were relieved of their jobs in Buhari’s office?
Nigerians will like to know. If they had been relieving people of their jobs, “cut(ting) down multiple authorities and reduce the cost of administration,” how come that a few weeks ago, the wife of the president got, according to her, unsolicited, six more aides in the offing? If you go to the brass-tacks, you will even discover that the said sacked aides of Osinbajo were just offerings to the gods of nepotism and cronyism. You would find on that list the names of children of friends and all that, who, professionally, are just emerging from diapers.
Until this purported sack, Nigerians didn’t know that there was such a Babelian number of aides attached to one man. Since Buhari is the maigaskia, can he come clean with the people who purportedly voted him into office and tell them how many of such aides their national sweats sustain their voyeuristic excitements at the Villa? Since they have a website at the Villa, how come this list is not there? This is how low Nigeria has sunken under her current taskmasters.
This most pitiable sight in the sorry equation at the Villa is the VP. A very sound academic, I still remember one of the students he supervised her PhD thesis, now a professor of law and SAN, who waxes lyrical whenever talks come to Osinbajo’s academic excellence. Upon coming to Aguda House however, Thomas Jefferson’s eternal quip, to wit that, “whenever a man has cast a longing eye on (an) office(s), a rottenness begins in his conduct” becomes very apt to describe his actions. He has given intellectual abetment to Buhari’s draconian governance, carried his can of spittle smilingly and frightened off his own kinsmen in the course of doing all that. Now that he has entered the belly of the dragon, Osinbajo has these people behind him seldom. The situation became so bad that a man with such lustering academic laurels tumbled down to becoming a butt of jokes all over, described unflatteringly as VP in charge of condolence matters and VP academics.
The most cogent lesson in the trial of Brother Osinbajo is the need to build home base. Rolling into the fifth year of his vice presidency, except for an army of recruited Alsatian dogs on Twitter paid to bay for blood and bark at genuine concerns over his groveling before a cow so as to eat beef in 2023, Osinbajo is as bereft of a base as floating ojuoro and osipata – hyacinths – on the river top. Those waiting to clear their 2023 river of such hyacinths are finding it so easy to shovel Osinbajo off their space.
If you ask me, however, I will queue behind Osinbajo. The few sparkles of governance Nigerians have had thus far came from him when Buhari was infirm and vacillating in the UK. Nigerians know that Buhari is just a ceremonial figurehead who “does not know” and has no whiff of what is going on in his surroundings. That hogwash from Shehu, to wit that, “the President is in absolute control of his government,” that “the media should stop attributing non-existent powers to some people” and that “there cannot be anyone too powerful for President Buhari to control” should be the most laughable cant Nigerians have heard this year.
Osinbajo should continue to pray to his God. If he comes out unscathed, he will be our modern day three Hebrew boys. Nebuchadnezzar, king of Babylon, that these people are have sold their souls to Mephistopheles for a farthing. They have ordered him thrown into a fiery furnace.
Source : tribuneonlineng
On Monday and Tuesday last week, workers and political operatives within the precincts of the new Senate building in the National Assembly complex, Abuja, were treated to a replica of the Theatre of the Absurd. This type of drama originated in Europe and later spread to America in the 1950s. It was influenced by existential philosophy and Albert Camus’s essay The Myth of Sisyphus.
In that work, Camus captured the fundamental human needs and compared the absurdity of man’s life with the situation a figure of Greek mythology, Sisyphus found himself, where he was condemned to repeat forever the task of pushing a boulder up a mountain, and repeatedly sees the same roll down the hill as he approaches the top.
He, thereafter, juxtaposed life’s absurdities with what he called the “unreasonable silence” of the universe to human needs and concluded that rather than adopt suicide, in frustration, “revolt” was required.
82-year-old Dr. Muhammed Adamu Fika, former Clerk to the National Assembly and former Chairman, of the National Assembly Service Commission (NASC), who calls himself the “smaller Adamu Fika,” must have come across the Camus essay in deciding to lead an emergency meeting of the Council of Retired Clerks and Secretaries of the National Assembly on November 18. The emergency meeting, which was jointly held with members of the Association of Retired Staff of the National Assembly was meant to salvage the pathetic plights of the National Assembly retirees.
Eighty-two-year-old Fika can hardly gather the pace to navigate round the corners of the National Assembly, but he insisted on making the trip to enable him to preside over the meeting as the Chairman of the Board of Trustees of the Council of Retired Clerks and Secretaries. As his retiree colleagues, many of whom are far younger, saw him struggling to walk the required distance from the Bola Ahmed Tinubu Library, originally fixed as venue to the new Senate building, they had to provide some shoulders to lean on. At one stage, an office chair was converted to a wheelchair to ensure the elderly Fika got to certain locations. It was a sad tale, especially if you look at the essence of Fika’s trip to the National Assembly. He was there to preside over a meeting to press home the need for the payment of the entitlements of National Assembly retirees. An alarm had earlier been sounded on the different Whatsapp platforms of the retired workers of the National Assembly to the effect their members were dying in numbers. It was revealed that no fewer than 20 retired workers had died awaiting the payment of their entitlements in the recent past. Another set of retirees numbering 12 were said to have been bedridden in different hospitals across the land. That alarm was more than enough to prompt Fika and his retiree colleagues to an emergency meeting. But the sight of an elderly man, fighting a just cause on an improvised wheelchair was more than absurd.
Payment of the entitlements got stalled after former President Muhammadu Buhari assented to the National Assembly Service Pensions Board Act, 2023, which mandated the National Pensions Commission (PENCOM) to hand over assets of the staff of the National Assembly in its custody after the passage of the National Assembly pension law.
In the beginning, there were no signs that things would go south on the implementation of the Act. Three months after the National Assembly Service Pensions Board Act came into effect, PENCOM had written the management to convey its decision to hand off the pension assets of the staff of the National Assembly, while requesting the National Assembly management to provide it with account details to remit the accrued funds. The 10th Senate and the House of Representatives also provided hope for the retirees by providing a take-off grant to the tune of N2.5 billion in the 2024 budget. However, the NASS management could not comply with the request from PENCOM because the Pensions Board had not been inaugurated. Months after months, the retirees waited. Those who were already enjoying their benefits when PENCOM was administering had the payments terminated, while the waiting game ensued.
In trying to fast-track the implementation of the Act, Fika, as the Chairman of the Board of Trustees of the Council of Retired Clerks and Secretaries had forwarded a letter to the President of the Senate, Godswill Akpabio, and the Speaker of the House of Representatives, Tajudeen Abbas, intimating them of the council’s recommendations for positions in the National Assembly Service Pensions Board.
Fika said in the letter, dated February 27, 2024, that “Considering the pathetic health conditions of our retired colleagues, Your Excellency will agree with me that the establishment of the National Assembly Pensions Board is overdue five (5) months after Mr. President’s assent.” He said that his letter was premised on the provisions of Sections 2 and 17(3) of the National Assembly Service Pensions Board Act, 2023, which indicate that the presiding officers of the National Assembly shall make the appointments subject to recommendations of the Council of Clerks and Secretaries. But some persons are insinuating that the undue delay might have been instigated by two strange bedfellows-politics and money. Where the two are involved, simply things hardly follow a straight course. However, nothing justifies the nearly 20-month delay in inaugurating the Pensions Board.
At the end of the emergency meeting on Monday, further meetings were said to have been scheduled at the instance of the Senate President, Akpabio, his deputy, Jibril Barau and others but there were no conclusive steps, yet.
A communique released after the meeting indicated that the retirees observed that the National Assembly Service Pensions Board Act, 2023 went through full legislative process in the 9th National Assembly and was assented to by President Muhammad Buhari. It further noted that the delay in implementing the Act has caused undue and untold hardship to the retirees who are unable to access their retirement benefits, adding that while a number of the retired Staff have died, many others are bedridden due to sufferings occasioned by the non-payment of their entitlements.
According to the communique, the meeting decried the pains the retired staff have been subjected to and recalled that appropriate recommendations as per the composition of the Pensions Board have been made to the Presiding Officers of the National Assembly, in line with the enabling Act.
Like every lover of Yoruba traditional music, language and culture, I have of recent been inundated with requests to lend a voice to the newest raging fire in the Fuji music genre. Since the passage of Alhaji Sikiru Ayinde Balogun, popularly known as Ayinde Barrister or Agbajelola Barusati, there have been longstanding tiffs on whom of the trio of Ayinde Omogbolahan Anifowose, KWAM 1; self-named King Saheed Osupa (K.S.O.) and Wasiu Alabi Pasuma, was the “King.”
These musicians’ recent quest for supremacy is not new. From time immemorial, supremacy battles have been part and parcel of Yoruba music. Apparently now tempered by modernity, in the olden days, the battles were fought with traditional spells, incantations and talisman aimed at deconstructing and liquidating their rivals. Mostly fought on genre basis, I submit that pre and post-independence entertainment scene would have been livelier, far more robust than it was but for the acrimonious liquidating fights of those eras.
In the Sakara music, Abibu Oluwa, a revered early precursor of this Yoruba musical genre, who reigned in the late 1920s and 1930s, had Salami Alabi Balogun, popularly known as Lefty Salami, Baba Mukaila and Yusuff Olatunji as members of his band. Oluwa praise-sang many Lagos elites of his time, especially Herbert Macaulay to whom he sang his praise in the famous track named “Macaulay Macaulay.” In it, he sang the foremost Nigerian nationalist’s alias of Ejonigboro – Snake on the Street and prayed that he would not come to shame.
Sakara also produced the likes of S. Aka Baba Wahidi, Kelani Yesufu (alias Kelly). It was sung with traditional Yoruba instruments like the solemn-sounding goje violin whose history is traced to the north, and the roundish Sakara drum, beaten with stick and whose appearance is like that of a tambourine. Sakara music is often called the Yoruba variant of western blues music because of its brooding rhythm though laced with a high dosage of philosophy.
When Oluwa died in 1964, he literally handed over to Lefty who, born on October 1913, died December 29, 1981. Lefty, a talking drummer under Oluwa, churned out over 35 records before his demise, one of which was a tribute to Lagos monarch, Oba Adele (Adele l’awa nfe – Oba Adele is the king we want) and another to the Elegushi family. I dwelt considerably on Sakara because it is believed to have had considerable influence on other genres of traditional African Yoruba music, especially Apala and Fuji, with the former sometimes indistinguishable from Sakara.
Apala music, whose exponent is said to be Haruna Ishola, originated in the late 1930s Nigeria. Delivered with musical instruments like a rattle (Sekere) thumb piano, (agidigbo) drums called Iya Ilu and Omele, a bell (agogo) and two or three talking drums, Apala and Sakara are the most complex of these genres of traditional Yoruba music, due to their infusion of philosophy, incantations and dense Yoruba language into their mix. Distinct, older and more difficult in mastery than Fuji music which is considered to be comparatively easy to sing, Ayinla Omowura, Ligali Mukaiba, Kasumu Adio, and many others were Apala leading lights of the time. The three genres have very dense Islamic background.
The latest entrant of all the three genres is Fuji. Pioneered by Ayinde Barrister no doubt, for an Apala musician biographer like me, I am confused that Omowura, as far back as early 1970s, asked listeners in need of good Fuji music to come learn from him – “Fuji t’o dara, e wa ko l’owo egbe wa…” Sorry, I digressed.
While KWAM 1 emerged with his Talazo music from the ashes of his being a music instrument arranger for Barrister’s musical organization in the early 1980s, the feud in the house after Barrister’s death erupted when narratives allegedly oozed unto the musical scene that KWAM 1 referred to himself as the creator of Fuji music. He however promptly denied the claim. For decades, Osupa and Pasuma were locked in horns over supremacy of the Fuji music genre. In August 2023, the two however seemed to have decided to thaw their feud as they shared stage with Wasiu Ayinde, at Ahmad Alawiye Folawiyo, an Islamic singer’s 50th birthday celebration in Lagos. KWAM 1 glibly acted as their senior colleague at the event.
As an indication that they are no bastards of the teething and recurrent supremacy battles that emblemize traditional Yoruba music, the three Fuji music icons seem to have gone into the trenches again. It first started with Taiye Currency, an Ibadan-based alter-ego of Pasuma picking a fight with the musician who self-styled himself Son of Anobi Muhammed’s Wife. In a viral video, Currency had disclaimed reference to Pasuma as his “father” in the music industry. In another video not long after, KWAM 1, like some kind of father figure, was shown asking Currency to apologize to Pasuma.
A few days ago, a video of Osupa went viral. Therein, he was chastising a particular hypocrite he called “Onirikimo” and “alabosi”, who is “stingy and is ready to shamelessly collect money from those under him.” Osupa also claimed that this “shameless elder” had strung a ring of corn round his waist and should be ready to be made fun of by hens. Watchers of the endless tiffs among these Fuji icons swear that KWAM 1 was the unnamed Fuji musician Osupa was casting aspersion on.
The trio of Sakara, Apala and Fuji music also witnessed such petty squabbles. While many claim that the fights were promotional gambits aimed at having their fans salivate for their hate-laced musical attacks against one another, some others claim that the rivalries were genuine. In the Apala music scene, Haruna Ishola and Kasumu Adio fought each other to the nadir, with Adio, who sang almost in the same voice and cadence as Ishola, suddenly vamoosing from the musical scene. Rumours and speculations had it then that a mysterious goat bit Adio and rendered him useless. While Ayinla Omowura also fought Fatai Olowonyo, Fatai Ayilara, among others in the Apala genre, the duo of Yusuff Olatunji and S. Aka also feuded till their last days. This is not to mention the interminable fight between Kollington Ayinla and Barrister.
If the tiff between the trio of KWAM 1, Osupa and Pasuma is about age and Yoruba traditional respect for elders, KWAM 1 would easily go away with the trophy of the best of the three. However, if philosophical depth, musical elan, research of lyrics and deployment of Yoruba language are at issue, none of the other two musicians can unbuckle Osupa’s sandals. Osupa began his musical career in 1983 as a teenager and has gone through the mills, his late father being a musician, too and Awurebe music lord, Dauda Epo Akara’s musical contemporary.
Unlike their predecessors, the three Fuji musicians are literate and should thus address their musical issues in more mature manner. Osupa even recently bagged a degree from the department of Political Science, University of Ibadan. One thing they should know is that, whether one is supreme to the other or not, their fans will readily queue behind the brand that delights them.
Two incidents happened during the 1994/95 NYSC service year, which I was part of in Birnin-Kebbi, Kebbi State, and they gave me profound culture shocks that I still remember till today. I would equally say that those incidents probably justified the Federal Government’s decision to float the scheme.
We were told that part of the reasons General Yakubu Gowon floated the NYSC was to ensure national integration, cohesion and exposure of young Nigerians to cultures of other parts of the country other than where they were born.
First was the shock of seeing a director that I was attached to in the then Government House, who had just taken a new wife, and sat among drivers, gate men and other junior staff to dine. I saw them seated round a huge iron pot of Koko, a local delicacy, exchanging one big spoon made of calabash, as each took turns to use the spoon to eat the delicacy. It was as if I was witnessing a scene where children of a big family were struggling to catch a portion of food or where people were eating Saara, as they say it in Yorubaland.
As I walked past the noisy crowd, I was transfixed seeing the newly-wedded director among the lot. He saw me standing still, as I couldn’t comprehend what he was doing there, and he got the message. ‘Taiyo, (as he used to call me) you won’t understand,’ he said as he waved to me to keep going. When we later saw, he explained that what he just did was a way of assuring the commoners that ‘we are all one,’ as they felicitated him on the new bride. But I could not fathom how the occupant of a ‘huge office’ as that of a director in a Government House , would sit among “commoners” on a tattered mat to share a single spoon and eat in public.
The other incident was quite pathetic. My friend, Tunde Omobuwa, was posted to a school in Yauri, in the southern part of the state, for his primary assignment. But he found the place boring on weekends. So, he arranged to always be with me on weekends.
One such weekend, we decided to take a stroll round the streets near the Government House. We took off from the place of my primary assignment, the Federal Information Centre; bought corn beside the office, and started ‘blowing’ the ‘mouth organ’ as we strolled. We were too engrossed in our gist and the sweetness of the corn to note that some young boys were trailing us, praying that some leftovers of the corn would drop for them to scavenge. Somehow, the two of us dropped the corn cob almost simultaneously. We were more than taken aback by a commotion that erupted at our back. Four eight or nine year-olds had descended on the supposed leftovers and broken the corn cobs into pieces. I was again transfixed as if one was hit by an electric shock. Remember that feeling when you play with electric fish?
I was moved to tears as I had never ever seen a group of children scavenging on nothing as it were. I beckoned to the kids and offered them N20, which was the highest denomination at the time, and with some smattering Hausa words told them to go buy their own corn from the same place we got ours. As they left, heading to the corn seller, I couldn’t erase that ugly sight from my mind. Was it really possible that some people scavenge on nothing this way? I was later to see incidents of children swarming around restaurants and pouncing on near empty plates.
These incidents told me clearly that the North was a different place and that the life of the boy child is not only risky and endangered but sold to stagnation and deprivation, unless you are one of the lucky few.
Having benefited from the free education policy of the Unity Party of Nigeria (UPN) between 1979 and 1983, when the Second Republic was terminated, I knew that there is a lot the government can do in educating the children. In my secondary school days, I was the Library Prefect at one point, and so I saw an excess of books supplied by the government to our school. So, I was an example of the feasibility of free education. It was the same way the Action Group government had handled education in the years preceding Nigeria’s independence and the First Republic.
So why can’t the state governments in the North declare free and compulsory education for the young ones out there? Why should children be made to scavenge on empty corn cobs just to see if they can find pieces of seeds left over?
And why was my director giving drivers and gate men in the Government House false hope that they were all the same, instead of him to challenge them to seek to lift themselves up the social ladder?
I think there was no excuse for the North not to have adopted a free education policy, just as Chief Obafemi Awolowo did in the South-West. And if we say the North needs to look itself in the mirror, you again remember the efforts by President Goodluck Jonathan to educate the multitude of Northern children through the Almajiri Schools. That government built more than 400 of such schools, which were abandoned because it could upset the oligarchy. The oligarchs forgot the truism that the children of the poor they refuse to train today won’t let their children sleep peacefully.
But the governor of Borno State, Prof Babagana Zulum, appears to have got the message. Last week, I was thrilled to see him organise a summit to reform the Almajiri system.
The Almajiri education system is a traditional Islamic method of learning widely obtained across states in northern Nigeria. Through that system, which is tied to Islamic teaching, youths, especially boys are kept out of the formal western education system. I don’t know why the teachings by Islamic scholars cannot go alongside that of Western education as it obtains in Saudi Arabia, Iran, Iraq and other Islamic countries that are doing well economically and in the world of science, technology.
While addressing the summit, Zulum had mentioned the need to address the root causes of insecurity through the provision of education for citizens of Borno, adding that improper teaching of Islamic studies has contributed to the emergence of Boko Haram insurgents in the state.
According to him, to curtail whatever is the adverse effect of Almajiri education; the Borno State Government has established the Arabic and Sangaya Education Board to introduce a unified curriculum for Sangaya and Islamic schools. He said that the reform would include establishing Higher Islamic Colleges to cater for Almajiri children and blending the religious teachings with the secular curricula as well as skills.
He said: “The Sangaya Reform is a great development. It will give Almajiri a better chance in life, particularly the introduction of integrating western education, vocational, numeracy, and literacy skills into the centres, which are also described as Almajiri and Islamic schools.
“Distinguished guests and esteemed educationists, government’s intention was to streamline the informal and formal education systems to quality integrated Sangaya School for admission into colleges and universities.”
One would have thought that governors with radical postures like Nasir el-Rufai and others before him would have proposed this type of reform, but it is better late than never. Zulum should be supported to get something out of this.
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