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Day  My  Fake Shirt Spoiled A Party Fun | By Olawale Sadare                    

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Ex-Oyo APC Spokesman, Sadare

What if I told you I was a social event and night party freak? I had a soldier uncle whose obsession for good music was second to none. With his four-legged Panasonic Record player which looked like a modern-day student fridge, my uncle would provide music entertainment to the neighborhood for 24 hours whenever he came home on a break as he was then being moved across all Army Barracks nationwide.

 

 

Ayinla Omowura, Ebenezer Obey, King Sunny Ade, Yusuf Olatunji among other evergreen musicians must have made fortunes from my uncle who had all their song released as albums in his kitty. Trust me, it was in the early 80s when power supply was relatively stable. There was even few appliances in our homes to consume electricity unlike in this modern era. Music was part of us and every musician was a Star.

 

Wakeel Adekunle Akanfe was my most beloved cousin who took me to live with him in Lagos in 1994. He was a hardworking tough guy who ‘ruled empires of socialites’ before he died at his prime in October, 2015. He took me to Apapa Quays where I was a dockworker for two years. Akanfe introduced me to the world of Fuji music and through him, I got familiar with music characters such as Lateef Ilori, Musibau Alani (Omokekere), Shaura, Dare Ayinde (Omo’ga, Mushin), Sir Shina Akanni (Fuji Scorpido), Toyin Adio (Mr. Performer) among others.

 

Inside Apapa Terminal, I was exposed to many bad ways but I chose only a few and these included; addiction to Fuji music (I was a regular face at Faslak Hotel Apapa where K1 used to perform every Thursday), night party, crazy haircuts, wearing of neck chains, purchase of expensive but inappropriate clothing materials, reckless spending on guests. I hated consumption of hard drugs before opening up containers for loading/offloading operations and I would not take any Wharf rat for a friend.

 

Meanwhile, we had enough to rent a decent room apartment but preferred the shanties in the slums of Ijora-Badia. Life was fun from Ijora 7up to Gaskiya College Road to Amukoko Round About. Our ‘Abete’ was notorious for harboring all cadre of thieves, gamblers, drug addicts and sex workers who would offer their services to ‘trusted’ customers at different occasions only to come with records and claim their accumulated charges at the end of each month.

 

There were occasions when argument would ensue as a result of attempts by either of the customers to present correct account of number of times they both met before the pay day.

Whether you tagged them repugnant or found their activities repulsive, the characters in Ijora-Rail line and environs (Safejo Road, Matiminu Street, Sari-Iganmu Road, Brewery and Costain) at that time cared less. In their domain you would see giant rats that preferred to swim in the canal or stagnant waters as well as mosquitoes that were as big as mature cockroaches. Hausa traditional wrestling (Dambe) was a big attraction as you would not know whether it was a sporting activity or an exhibition of charms and magic.

 

I remember informing you that I was a party/freak and distance or paucity of fund was never a problem. I could borrow cash from anyone to attend social funds mainly because of music and dance. Then came a day I was to attend a ‘Freedom’ ceremony in Ibadan. A never-do-well tailor disappointed me as he ran away ostensibly because he did not complete my dress – a white guinea brocade fabric chosen as uniform for the event by the celebrant.

 

I put that disappointment behind me and hit the road for a trip to Ibadan at about 7pm. At Ojota Inter-State Terminus, I saw beautiful shirt made of flower design in the hand of a tall guy who hawked knitted fabric and I bought same for a ridiculous price. I found my new shirt so irresistible that I had to remove the one on me and put it on inside the commercial bus.

With a sun glass put on the forehead, a gold chain dangling on my neck and my new colorful shirt on a straight black Wrangler Jean trousers which matched my pair of Reebok Snickers, I was sure of a ‘cynosure of all eyes’ status at the occasion. The Lagos-Ibadan Express Road was devoid of the ubiquity of Worship Centres-induced traffic snarl at that time and I got to my destination at about 10pm.

 

I arrived to the wargalore, ace of virtually everyone at the venue as most them adorned the white Guinea Brocade uniform and dancing to the energy-sapping lyrics of Obesere Omorapala… “Iwo oojo’gede Obesere Commander… Aijo’gede ti je, o je ma’jelo ko si nnkan… Omorapala gbaasi… O je ma’jelo ko si nnkan!”… And later the local DJ changed the music supply to Kwam 1’s Fuji Collection… “Olokun mu yenye, Orin mi Ayinde Ade… Ojo a da’joo’jo, t’afefe nse’gi oko weruuweru… Igi’nu oko n’leri… …n o ba toro’gun wa’ye o… Eeh eeh! N o ba toro’gun… Emi a joooooooooo!

 

Immediately people sighted me, I emerged the VIP they had been expecting and it became a hugging galore. We danced and hugged simultaneously until some of them began to notice a weird coloration of the white garments they were putting on. Who could have been splashed us with color paints? They wondered. Before we knew it, about ten people had been badly affected with ‘color transmission’.

 

We were all jolted by the development and the DJ had to put off the music supply to enable us unravel the mystery of magical Kampala on the people. Suddenly, one saucy lady came towards me and started shouting; “Wasiu, Iwo ni! Iwo ni joor! Aso buruku re lo ba gbogbo aso wa je!”. As a matter of fact, my new shirt was fake… It could have been that it was tied and dyed in an emulsion paint or something.

 

The observation was true… I was the culprit! The dance floor was immediately vacated and began to seek solution to the broadening stains I had stamped on their individual white attires. It didn’t take long before most of them started heaping despicable hisses at me ceaselessly. I left the party unannounced and without taking any food or drinks. I removed the ‘shirt of shame’ immediately after my escape from possible mob action and threw it away into a nearby drainage.

 

I was later told the party could not continue. I didn’t come to Ibadan until about six months after the ugly incident.

 

 

 

Wasiu Olawale Sadare, Journalist and Media Consultant writes from Ibadan, Oyo state

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Adekunle Gold, Simi welcome twins

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Popular Nigerian singer, Adekunle Kosoko, better known as Adekunle Gold, and his wife, Simisola Kosoko, also known as Simi, have welcomed a set of twin babies.

The singer announced the good news via his Snapchat story on Wednesday.

“Asked God for another child and He blessed me double,” Simi wrote.

Although the gender of the babies has not been disclosed, the announcement has since attracted congratulatory messages from fans, colleagues and well-wishers across the entertainment industry.

The development comes months after Simi had hinted at her pregnancy. In December, she shared a video on Instagram, captioned, “From my baby, for my babies,” with the clip showing her baby bump.

The arrival of the twins also comes weeks after Simi featured in a snippet from Adekunle Gold’s recently released music video titled My Love Is the Same.

Adekunle Gold and Simi got married in 2019 after years of friendship and musical collaboration. Both artistes were formerly signed to X3M Music early in their careers and have since remained one of Nigeria’s most celebrated celebrity couples.

The couple welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.

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Ayefele drops new album, Reflections

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Renowned Tungba gospel musician, Dr Yinka Ayefele, has released a new studio album titled Reflections, adding another chapter to his long-standing influence in Nigeria’s gospel music scene.

The album, which was released on Monday, December 22, 2025, blends introspection with praise, as Ayefele reflects on life, faith and gratitude to God, drawing from personal experiences marked by trials, near-tragedies and triumphs.

Announcing the release in a statement, the Group Head of Corporate Affairs, Fresh Nigeria and Yinka Ayefele Limited, Samson Akindele, said the album captures the musician’s deep reflections on life and his renewed commitment to thanksgiving and praise through music.

Musically, Reflections is rooted in Ayefele’s signature Tungba style, featuring energetic drum percussions, rich string arrangements and call-and-response patterns, supported by harmonious backup vocals from the Merry Makers Band.

The album also incorporates diverse elements, including Tungba hymnals and an Arabic praise chant rendered by a budding female talent, Harike Jesu, who additionally delivers a danceable Fuji-inspired track.

According to details of the project, the opening track focuses on Ayefele’s life journey and lessons drawn from past experiences, while subsequent tracks express appreciation to fans and sustain a flow of upbeat, dance-friendly rhythms.

Reflections is available on major digital streaming and download platforms, including Spotify, Boomplay, Apple Music, Amazon Music, Audiomack, YouTube Music, Deezer and Tidal.

The compact disc version is expected to be released in the coming days under the Yinka Ayefele Music label.

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Reggae Legend, Jimmy Cliff, Dies At 81

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Jamaican reggae icon, Jimmy Cliff, is dead. He died on Monday at the age of 81.

His wife, Latifa Chambers, announced the singer’s passing in a statement posted on his official Instagram page.

Chambers said Cliff “crossed over due to a seizure followed by pneumonia,” describing the loss as “profoundly saddening.”

She wrote, “I am thankful for his family, friends, fellow artists, and coworkers who have shared his journey with him. To all his fans around the world, please know that your support was his strength throughout his whole career.”

Cliff, revered as one of reggae’s defining figures and widely regarded as the genre’s most influential artiste after the late Bob Marley, enjoyed a stellar career that spanned more than four decades.

A multi-instrumentalist known for classics such as You Can Get It If You Really Want and The Harder They Come, Cliff blended reggae with folk, soul, ska and rock. His music frequently tackled themes of politics, poverty, injustice and social resistance.

He shot to global prominence following the release of the 1972 film The Harder They Come, in which he starred. The movie, partly inspired by his tough upbringing, played a pivotal role in pushing Jamaican reggae onto the world stage.

Reacting to his death, Jamaica’s Prime Minister, Andrew Holness, described Cliff as “a true cultural giant whose music carried the heart of our nation to the world.”

“His music lifted people through hard times, inspired generations, and helped to shape the global respect that Jamaican culture enjoys today,” Holness said.

“Walk good, Jimmy Cliff. Your legacy lives on in every corner of our island and in the hearts of the Jamaican people,” he added.

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