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Dauda Epo Akara: 15 Years After | By  Waheed Ganiyu

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On February 18, 2005, the Awurebe exponent, Alhaji Dauda Akanmu Kolawole fondly called ‘Epo Akara’ breathed his last at the age of 62. His exit marked the end of musi-cultural era, the era of a generation of musicians whose roots are deep in the urban social fabric and heritage of the Yoruba people of Southwestern Nigeria.

Like Fuji, Awurebe genre evolved from ‘were’, which was a means of entertaining the muslim faithful in the holy month of Ramadan. His band name was formerly, ‘Dauda Epo Akara and His Ajisari Group, an indicative of the fact that he was playing ‘were’. He reportedly rebranded the group and adopted Awurebe group after returning from pilgrimage to Mecca in 1974.

Some of Epo Akara’s contemporaries in the early days of his music career were: Gani Kuti, Lawuyi Oke Eleta, Sakariyawu Ladoye(who later switched to drumming), Isiaka Ogidan, and Tunde Ayefele. Gani Kuti began his ‘were’ exploit at Boundary Area of Ajegunle, Lagos, before relocating to Ibadan. However, Epo Akara pioneered the brand, Awurebe and others followed suit. Unlike Fuji that it’s creator remains a subject of debate and controversy, Awurebe’s lordship has always been attributed to Epo Akara without dissention. Even the acclaimed Fuji progenitor, Late Dr. Sikiru Ayinde Barrister had at different times consistently traced Awurebe origin to Dauda Akanmu. For instance, in Barrister’s LP, ‘E sinmi Rascality’, released in 1982, while appreciating the leadership of each genre of Nigerian music, he sang:’olorun naa lo s’ola Awurebe fun Dauda mi Akanmu o…abata ta kete bi eni o b’odo tan, isi gaju’. Also, in ‘Fertilizer'(1985), Barrister confirmed Epo Akara’s authority: ‘Dauda Akanmu o, Epo Akara ni’lu Ibadan lo l’awurebe o’.

Epo Akara’s style was rooted in a blend of folksy traditional art and philosophy. Awurebe is the fusion of Apala, Sakara, Woro and even Dadakuada from Kwara state. It is the perfect blend of these various musical cultures that have given the genre a uniquely definitive identity.

 

Epo Akara’s music was not only about praise-singing, but also to comment on issues of national significance. He deployed his prowess to promote or condemn government policies and programmes. When the then Head of State, General Murtala Muhammed created additional seven(7) states on February 3, 1976, the Awurebe icon waxed an album, ‘Ipinle Tuntun'(Vol.7) to commend the military regime. ‘Ipinle ti e fun wa o ma dun mo wa o e. Ibadan pelu Oyo o, omo iya sa ni wa’. ‘we are delighted with the newly- created states, Ibadan and Oyo have become one’.

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Alhaji Epo Akara’s love for Ibadan was unquantifiable. He lived there throughout his life; even when other notable musicians believed that their trade could only thrive in Lagos. He never hid his love for the largest city in West Africa. In ‘Ori mi dara’ (vol.6), he praised Ibadan as the base of the wealthy and the noble. ‘ilu Olowo Ibadan, ilu oloye ti wa ni, ori mi dara ni’badan na bi mi o e’. Also in another album, ‘Is Gaju’, he sang: ‘eeyan t’ori e ba ti daru o, lo le f’omo ‘badan sere o’. In all his LPs, he always celebrated the ascension of successive Olubadan to the throne.

One of the arch-rivals of Dauda Epo Akara was another Ibadan- based Awurebe star, Yisau Osupa Anabi. It was alleged that when Epo Akara travelled to Abidjan, Cote D’Ivore for a musical engagement in the late 70s, Osupa Anabi hurriedly released an album, alleging that Epo Akara had been arrested and jailed for drug trafficking. The record, according to a reliable source recorded high volume of sales to the extent that Epo Akara fans became jittery and devastated.

According to a surviving member of Epo Akara’s band, Pa Sakariyawu Ishola: ‘ Osupa Anabi released the album barely three days after our arrival at Abidjan. And our boss, being a talented musician and master of his trade did a rejoinder through his album ‘Abidjan Special’ to dispel the unfounded rumour’. Osupa Anabi had sung:’ijekuje ti e n je, imu ki mu ti e n mu o…ta lo ran yin lona ibe un’. Meanwhile Epo Akara in Abidjan Special replied: ‘ko ri fun o bi ero re si mi o e…awa o r’ewon ni’lu Abidjan o. Baba n gbo o, be n bu wa leyin ba o gbo,baba n gbo’. He also promoted the abundance of Ankara fabric in Abidjan, ‘ankara yebeyebe o wa l’abdijan’.

Dauda Epo Akara played the role of a peacemaker in the highly celebrated Barrister-Kollington feud in the early 80s. While the rift was tough and resulting to the Fuji musicians splitting into two factions of the warring Fuji gladiators, the Awurebe maestro dropped ‘Ija o pe’ in 1982 where he mentioned and appealed to the feuding musicians to seathe their swords. ‘Ibo la kii ‘yan de o, ta o fi máa ba ‘ra wa ja, Kolawole, ija o pe e’. The rift between Barrister and Kollington was subsequently settled with the intervention of the then Deputy Governor of Lagos state, Alhaji Rafiu Jafojo.

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One sad moment that remained indelible in his lifetime was the loss of two of his band members, Omoboade and Dauda in an auto crash at Alapako Area of Lagos-Ibadan Expressway in 1975. The tragic occurrence occurred when Epo Akara band was returning from a musical outing in Lagos. According to one of his wives: ‘Alhaji didn’t like anyone playing or singing the lyrics of ‘Ijamba Moto’ in his presence as he would start crying’. It was gathered that Alhaji Dauda Epo Akara recorded the tribute track of ‘Ijamba Moto’ LP thrice, as he could not hold his tears in the two previous recording sessions.

In a chat with one of the Awurebe king protégé, Sule Epo Akara, whose stage name is ‘Oyinmiyinmi’, he referred to his late boss as a talented musician with humane personality. ‘Ha! Oga mi Akanmu Baba Tawa, Akanmu omo ta piti, iya e gbe e. Olorin ti o see f’owo ro seyin ni. He gladly encouraged me to establish my own band. ‘Alagbe ma je n tan o, o ti to da duro’. Sule Epo had fourteen albums to his name.

Benson Idonije, a prominent music critic said: ‘Epo Akara released over 80 albums and was also on the road performing at prestigious engagements. But it is sad that a musician of his stature did not enjoy international recognition and exposure’. Honestly, what the Awurebe maestro left behind doesn’t commensurate with his fame and works. He has just an uncompleted single-storey building along Lagos-Ibadan Expressway. This writer believes that Oyo State Government under the leadership of our amiable governor, His Excellency, Engineer Seyi Makinde could out of his usual magnanimity, post-humously honour this Oyo state music ambassador by renovating his house. For example, the immediate past administration of Senator Ibikunle Amosun of Ogun state, renovated the Itoko residence of late Apala legend, Ayinla Omowura, as his effigy has been erected on his grave.

But why has it been difficult for the children of these music icons to step in to their fathers’ shoes? For instance, Musiliu Haruna Ishola resurrected Apala with ‘resurrection’ in 1991 and after his hit album ‘soyoyo’, in 2002, his popularity has dwindled. Ayinla Omowura’s younger brother, Dauda Anigilaje and his son, Akeem fell by the way side before their deaths in 2005 and 2016 respectively. Perhaps, Omowura’s shoe was too big for them. The grandson of the sakara legend, Yusuf Olatunji, Abideen Ajasa Olatunji is trying his best in Abeokuta to keep Baba Legba’s legacy alive.
It is apparent that every individual has his or her endowment.

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Mrs Baliqees Jejelola Aduke, an executive member of Epo Akara Fans Club affirmed that four of Dauda Epo Akara’s children are singing Awurebe: ‘yes, four of Alhaji’s children are singing. They are Alhaja Tawa, Ramoni, Sarafa and Suliyat’. Asked which of them possesses the trait of Epo Akara’s musical dexterity: ‘they are all superb with good voices and the shoulder-shrugging dance style of their father’, she replied.

Born in Ibadan in 1943, Dauda Akanmu Epo Akara started as an ‘Ajiwere’ (Ramadan early call) singer. He was discovered and signed up by Omo Aje Records under the astute management of the current Olubadan of Ibadanland, His Imperial Majesty, Oba Saliu Akanmu Adetunji, Aje Ogungunniso 1.

 

 

Waheed Ganiyu, Journalist and Media Consultant writes from Ibadan, Oyo state

 

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Renowned Nollywood Comedian ‘Mr Ibu’ Is Dead

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In a tragic turn of events, the iconic Nigerian comic actor, John Okafor, popularly known as Mr Ibu, has reportedly passed away.

 

A close source within the family confirmed the development, indicating that the beloved entertainer breathed his last on Saturday afternoon at Evercare Hospital, Lekki, where he had been admitted to the Intensive Care Unit (ICU).

 

Mr Ibu, celebrated for his exceptional comedic talent, had faced health challenges in the past year. In a noteworthy struggle, he underwent surgery to amputate one of his legs, a procedure necessitated by undisclosed health issues.

 

Throughout this period, the actor had openly sought support and prayers from his numerous fans and well-wishers.

 

The Nigerian entertainment industry mourns the loss of a true megastar, and fans worldwide express their condolences for the passing of a beloved figure who brought laughter and joy to countless lives through his memorable performances. The legacy of Mr Ibu, marked by his unique style and infectious humor, will undoubtedly endure in the hearts of fans and the annals of Nollywood history.

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Mohbad father’s lawyers request coroner summons for Primeboy, key witnesses

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In a recent development surrounding the controversial death of the late singer, Ilerioluwa Aloba, widely known as Mohbad, lawyers representing Mr. Joshua Aloba, the bereaved father, have taken a significant step. The legal team, led by Emmanuel Oroko, sent a letter dated Jan. 15th, 2024, to the Coroner overseeing the inquiry into the artist’s demise.

The letter urged the Coroner to summon Ayobami Fisayo (known as Spending), Boluwatife Adeyemo (Darosha), and Ibrahim Owodunni (Prime Boy) to provide testimonies and eyewitness accounts regarding the events leading to Mohbad’s death on Sept. 12, 2023.

The lawyers asserted that the insights from these three individuals would contribute essential factual evidence, shedding more light on the perceived unnatural and suspicious circumstances surrounding the tragic incident.

“Our research for instance has shown that there were incidents on the 3rd Mainland Bridge at about 2.30 am (Sunday, September 10, 2023, that the appropriate witnesses did not mention and which no one has related at the Coroner Inquest and in our opinion would have given away the circumstantial event that led to the death of Ilerioluwa Aloba.

“In furtherance to the above, we believe that there were also events on 12 September 2023 at the deceased residential premises, which were not mentioned by the appropriate witnesses, and such information would have given a better insight into the real cause of the death of the deceased, as recent events have shown that some probable witnesses have been suborned.

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“These key witnesses include the driver of the car that drove the deceased, his wife, his brother and the witnesses proposed to this honourable coroner Inquest court.

“Furthermore, we believe that the situation of the CCTV at the deceased residential premises not functional at the time the deceased and others came home may not be true”, the letter partly read.

The Afrobeats singer, based in Ikorodu, departed on Sept 12, 2023, at 27.

In a letter dated Sept 18th, 2023, addressed to Justice Mojisola Dada, Chief Coroner of the High Court of Lagos State, the legal firm Falana & Falana Chambers formally requested a coroner’s inquest into the artist’s passing.

Subsequent to the letter, preliminary inquiries into Mohbad’s demise commenced on Friday, Sept 29, 2023, at the Magistrate court in Ikorodu, Lagos.

Thus far, two police officers—ASP Oderinde-Gafar Ajibola and Muhammad Yusuf, both affiliated with the Homicide Section of the State Criminal Investigation Department, Panti, Yaba—have testified before the coroner, presenting the police’s findings on the matter.

Magistrate Adedayo Shotobi, the Coroner, has also heard the testimony of Mohbad’s Disc Jockey (DJ), Ajisegiri Ayobami, who asserted his presence with the artist on the day of his passing.

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Lagos: DJ Power Set to Ignite Good Beach for African Tour Premiere

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Renowned international disc jockey, DJ Power, is poised to set the stage ablaze at Good Beach, Victoria Island, Lagos, on the 29th of December 2023, signaling the commencement of his highly anticipated African tour.

DJ Power disclosed this during a press briefing held at Amber Residence, Ikeja, Lagos last Friday.

Baroque Works Studio, a leading entertainment powerhouse, also signed a Memorandum of Understanding (MoU) with DJ Power, taking on the role of chief promoter for the tour.

The Good Beach event is anticipated to be a standout moment, attracting music enthusiasts and fans from far and wide.

Showcasing his extraordinary talent, DJ Power’s African tour promises to be a musical journey traversing the continent. The event will pulsate with special energy and vibes, featuring DJ Power’s signature Afrobeat and Amapiano sounds, guaranteeing an unforgettable experience for attendees.

In an exclusive collaboration, CEOAFRICA has been named the official media partner for the event, ensuring comprehensive coverage across all its media channels. Fans can anticipate exclusive interviews, behind-the-scenes glimpses, and live updates as the excitement builds.

The Good Beach event is expected to draw a diverse and lively crowd, bringing together music lovers of all ages to revel in the vibrant energy and creativity that DJ Power embodies.

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Attendees can brace themselves for an electrifying live performance promising an experience that transcends musical boundaries.

As the countdown to the event begins, organisers are urging fans to secure their tickets early to avoid missing out on this unforgettable spectacle.

With the pledge of exceptional music, incredible performances, and an atmosphere to remember, DJ Power’s Good Beach performance is set to be a highlight of the year’s entertainment calendar.

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