Connect with us

Entertainment

Secrets of  Ayinde Barrister | By Tunde Busari

Published

on

I was rounding off in newsroom last night when a brother with whom I share feelings for songs of Dr Sikiru Ayinde Barrister, sent me a Sakara song, which sounds like that by Yusuf Olatunji but which is not Olatunji’s.

We analysed the song during which I brought in Barrister to his amazement anyway. He would always want such discussion with me perhaps based on his acknowledgement of my cult-like attention for Barrister’s voice, lyrics, percussion and style. I established a strong connection between Barrister and the audio he sent and by extension Sakara genre.

My little understanding of evolution of Barrister and fuji music rates Sakara as the soul upon which fuji leaned after Barrister had moved his music away from Ajisari, the genre of which he debuted in 1966 under African Song label owned by the late Alhaji Bolarinwa Abioro, the Yewa man who also produced the then Sunny Ade and His Golden Spot Band..

Barrister realized so early the limited scope of Ajisari which was and still is music exclusively made by and for Islamic faithful during the month of Ramadan only. In order to expand his fan base beyond mosques, he reverted to his love for SAka, a top Sakara crooner in the class of Yusuf Olatunji (Aka and Olatunji incidentally passed away months apart in1978). He was quoted as being a lover of Aka since he was a teenager, housing Aka’s songs in his memory few days after release of those songs to market.

His first live performance at a house warming held in Bariga, Lagos in the first quarter of the 70s saw Barrister playing Sakara to the consternation of older guests who could not believe a young man in early 20s could be so profound in a genre dominated by older generation of musicians.

Barrister sang: “Won lalayinde ti kere ju o
Won ni ko le sere Sakara yi”

He sang the above excerpt to clear the air on doubt in the guests who attended the party only to witness a fumbling Barrister. However, he caught them unawares. In fact, he took them aback. The success recorded at that show opened door of live performances to him and his small band in a journey of no return. The band never returned to the starting point. Barrister put on his pant and set to swim in the same water with his mentor, SAka, Olatunji and other big fishes of Sakara.

But because he knew it won’t be easy, he slept and woke up with his drawing board, religiously researching, especially into Juju genre which was on its way to submerge Sakara, Apala and other genres, having effectively pushed the hitherto famous High-life to the rear at social parties. Gifted with brilliance and magnetic ear for details, Barrister found it convenient to adapt guitar arrangement of juju and turn it to fuji percussion, making juju fans to feel juju flavor in fuji. In other words, he stole capacity from juju to build fuji music.

This principle informed his unprecedented definition of fuji music in his elpee titled FUJI RAGGAE II in 1979. He asks: “Who can tell me the meaning of fuji sound?” His back-up vocalists reply pointedly that a man who decides to show off his proficiency in English Language before his unlettered in-law must prepare to translate the language for their comprehension.

“Fuji sound is combination of music, consisting Sakara, Apala, Juju, Afro, Gudugudu, Aro, possibly High-life,” he responds. With that subjective definition, Barrister formally created a distinctive musical brand emerging the pace-setter and compass which would show direction to which that genre goes in indigenous music industry and beyond.

One may be tempted to argue that his definition was a fraud and permission to steal from other brands of music for his own survival. The argument can, however, be punctured looking into origin of some of those sounds from which Barrister tapped. Sakara, for instance, combined Hausa goje with rounded drums, which I learnt are not of Yoruba too, blended with Yoruba folklore. Juju too is fusion of High-life with Yoruba traditional songs. So, Barrister was in order, hence his successful drive of fuji music, always recording first among hundreds of fuji musicians till death took him away December 2010.

Essentially, Barrister was not complacent despite global recognition he had earned. He kept researching with a view to ensuring a permanent place for fuji through wining more fans of others genres. Were he alive, he would have studied the youthful Hip-Hop and picked important elements of the genre without losing fuji identity.

Also, to pay tribute to a late musician in studio, he would lay his song on a popular track of the recipient and render it perfectly and inspiringly. He did this to Yusuf Olatunji (FUJI RAGGAE II, 1979), Ayinla Omowura (AYE, 1980), Bobby Benson (NIGERIA,1983), Haruna Isola (MILITARY, 1984) I.K. Dairo (INFERNO, 1996) and attracted patronage of fans of those musicians.

On a final note, when you are hardworking, focused and innovative, top seat is assured for you. But in a society as ours, where arithmetical law is freely raped in broad daylight, tons of luck are required to reach destination.

Barrister was hardworking, focused, innovative and lucky to have come at a right time when another person had not come up with definition of fuji sound. Unfortunately, he died young. But that was his wish, his consistent wish to share attributes with Prophet Muhammed. Is he not sharing it, in terms of immortality with his elpees still selling and songs daily on air home and abroad?

Good morning, and happy birthday to Deji Badru, our very big boy. Happy birthday too to Idris Okusajo. Congratulations!

Comments

Entertainment

Eight Stabbed, Hundreds Arrested at Notting Hill Carnival

Published

on

By

Police officers make an arrest at the Notting Hill Carnival in west London on August 26, 2024. (Photo by HENRY NICHOLLS / AFP)

 

The Metropolitan Police have confirmed that eight people were stabbed and hundreds were arrested during last weekend’s Notting Hill Carnival, one of the world’s largest street festivals, held annually in west London.

In an update on their policing operation late Monday, the Met reported that five people were stabbed on the final day of the three-day celebration, which is internationally renowned for its vibrant display of British Afro-Caribbean culture.

This followed three other stabbings on Sunday. Three of the victims were left in life-threatening conditions.

Police made at least 230 arrests on Monday alone, including 49 for possession of an offensive weapon.

These arrests added to the scores of others made earlier in the weekend. In addition to the arrests, three firearms were seized, and 35 officers sustained injuries during the event, which attracts around a million attendees every August bank holiday weekend.

The number of arrests and incidents this year closely mirrors last year’s figures when there were 10 stabbings and approximately 300 arrests.

Despite the heavy police presence, with around 7,000 officers deployed, the carnival was once again marred by violence, particularly knife crime. Nevertheless, the vast majority of the hundreds of thousands of revellers enjoyed the event without incident, filling the streets of Notting Hill with colour, music, and dancing.

Deputy Assistant Commissioner, Ade Adelekan expressed his frustration over the recurring violence, noting that a woman attending the carnival with her child was among those stabbed.

“We only very narrowly avoided a fatality,” he said, urging attendees to report any crimes they witness.

The Notting Hill Carnival, a celebration of British Afro-Caribbean culture, has its roots in the 1950s, following the post-World War II influx of immigrants from former British colonies.

The annual event is known for its feathered dancers, steel bands, and earth-shaking sound systems, symbolizing the rich cultural heritage of the Afro-Caribbean community in the UK.

Continue Reading

Entertainment

Portable Granted Bail After Night in Police Cell Over ₦14m Debt

Published

on

By

Habeeb Okikiola popularly known as Portable. Photo: @portablebaeby/Instagram

 

The Lagos State Police Command has freed renowned street artist, Habeeb Okikiola, popularly known as Portable, following a night spent in police detention.

Portable was apprehended on Tuesday in Lagos’ Abule Egba vicinity for purportedly defaulting on the balance payment for a G-Wagon vehicle he had purchased from an auto dealer.

Reports suggest that although the ‘Zazoo Zeh’ maestro acquired the vehicle valued at ₦27 million, he only disbursed ₦13 million, leaving a ₦14 million outstanding balance.

In footage that went viral, Portable was observed scaling a gate as law enforcement officers approached him with an arrest warrant.

Subsequently, another video emerged depicting him being restrained, handcuffed, and conveyed by approximately four policemen into a waiting vehicle.

During the altercation, a female voice, purportedly that of the car dealer, was heard in the background, issuing profanities and recounting Portable’s alleged threats when confronted about settling the debt.

The Police spokesperson in the state, Benjamin Hundeyin, confirmed that Portable was released on bail on Wednesday after spending Tuesday night in police custody.

He further disclosed that both Portable and the car dealer are expected to reconvene at a later date.

“He (Portable) has been released; he was granted bail on Wednesday to come back with the complainant later,” Hundeyin stated, stressing that “the outcome of that meeting will determine our next line of action.”

This incident marks not the first encounter between the singer and law enforcement.

In April 2023, Portable was detained by the police in Ogun State and arraigned on five charges related to alleged assault and theft at the Ifo Magistrate Court, in the Ifo Local Government Area of Ogun State.

Subsequently, he was held at the Ilaro Correctional Centre before being released upon meeting bail conditions.

Continue Reading

Entertainment

Autopsy Results Fail to Determine Cause of Mohbad’s Death

Published

on

By

 

In a recent inquiry into the untimely demise of Nigerian musician, Ilerioluwa Aloba, better known as Mohbad, held at the Lagos State University Teaching Hospital (LASUTH), Prof. Sunday Osiyemi, a Forensic Scientist and Pathologist, revealed that the results of the autopsy conducted on the deceased failed to unveil the cause of death.

Speaking before Magistrate Adedayo Shotobi, who presided over the coroner’s inquiry, Prof. Osiyemi cited various factors contributing to the inconclusive findings, notably the significant decomposition of the body due to the extended delay of 21 days before the autopsy was performed.

Highlighting the urgency of the situation, Senior Advocate of Nigeria, Wahab Shittu, representing Mohbad’s family, emphasised that according to the pathologist, the body should have been exhumed within 12 hours post-burial to prevent decomposition, a critical factor in determining the cause of death.

Shittu further elucidated that the pathologist referenced the administration of certain drugs to Mohbad before his demise, suggesting a potential correlation between the drugs and the difficulties encountered in pinpointing the cause of death.

“He also went further to say that it may be attributed to reactions to certain drugs administered on him before he died. Again he then qualified that to say he does not know whether it is those drugs that actually led to his death,” Shittu stated.

With the cause of death remaining elusive, the coroner adjourned the proceedings to June 11th for further examination and cross-examination of the pathologist’s findings, signaling a continuation in the quest for answers surrounding Mohbad’s untimely passing.

Continue Reading

Trending