Entertainment
Majek Fashek and the curse of drug addiction | By Festus Adedayo

The death of Nigerian singer-songwriter, guitarist and reggae music lord, Majek Fashek, in New York, America, last week threw Nigerians into a nostalgic mood. It brought into memory the exact picture of a musical icon who the country lost to the icy pincers of death.
Reports of his passage sauced his strides on the dancehall with near-magical exploits while he reigned. As he scintillated the audience with his hugely celebrated multiple award-winning single, Send down the rain, either coincidentally or through an inexplicable magical realism, raindrops suddenly began to well down from the face of the firmament.
Thrown into sudden limelight by his 1988 album entitled Prisoner of Conscience, a string of awards came the way of the man now dubbed The Rainmaker. He was exceedingly talented and blessed with a vocal resemblance of another reggae great, Jamaican Robert Nesta Marley, also known as Bob Marley.
Majek released some highly rated songs which got his African audience nostalgic of the passage of Marley all over again, and concluding that he could effectively musically fill the void of the Caribbean musical idol’s untimely passage. Songs like the highly philosophical My Guitar where Majek evocatively glamourized the imperishability of this musical instrument, suggesting that it would still be alive, even when heaven and heart pass away, gave the musician a compositional rating of note.
So also his re-rendition of Marley’s old spiritual song, Redemption Song, which captured the plights of African freedom fighters and the hope of a great future, in spite of how the contributions of these fighters had been flung aside by rewriters of African history. Fashek however carved out his own unique blend from the mimicry of reggae music that was beginning to come out of emerging Nigerian musicians of the time. Such crew of that time ranged from Terra Kota, Evi Edna Ogholi, Mandators and later, Ras Kimono. His own musical blend he proudly named Pangolo which was decidedly a fine brew of rock and reggae.
As Fashek’s renown began to spread like bushfire, so also was his rumoured pastime for drug consumption. Gradually, the handsome young man with huge promise of lighting Nigeria’s name on the global musical firmament got enmeshed in drug addiction which began to hugely affect his availability for musical shows and even ultimately, his talent.
Between the time he came into limelight in 1988 and the time he passed on last week, Fashek’s active musical years were a mere conservative half of the 32 years that his name was hoisted on dancehall list of notables. In 2015, news of his bankruptcy filled the air which synchronized with that of his admission into a drug rehab centre in Abuja. During this period, the picture of Majek that hopped up in the media and that many encountered when they came across him was that of a man who needed immediate help.
He looked haggard, forlorn and ostensibly seriously battling ill-health, alongside a dangerous pastime of drugs consumption.
Friends rallied round him and attended to his hospitalization need. In the midst of this, in September last year, rumours of his passage filled the stratosphere, which was immediately dispelled. Those who staved off the rumour however confirmed that he was critically ill and was in a London infirmary. By the time he passed on June 2, 2020 in New York City at 57, it was revealed that he battled, alongside his drug rehabilitation binge, esophageal cancer.
I went into this long musical biography of Majek Fashek to be able to establish that in his death, Nigeria had lost a musical gem to a consistent cancerous affliction among musical stars called drug addiction. Though there is an implosion of drug addiction among Nigerian youths, probably raised high by the consistent hopelessness that the youth can vividly see, rather than a bright horizon, drug consumption has, from time immemorial, being the bane of Nigerian music and musicians. It is an affliction that didn’t just start yesterday; it has dragged many notable Nigerian musicians down the sepulcher in their scores.
There has been this subsisting notion – notorious even outside the shores of Nigeria – that drug consumption contributes highly to artistic inspiration. While scientific studies locate a liaison between these two, no study has been able to strictly confine inspiration strictly to drug consumption. In other words, there have been artists who oscillated at the topmost height of their careers but who did so while maintaining wide social distancing from drugs.
What this means is that, yes drugs can be enhancer of inspiration, other less-dangerous pastimes can evoke even higher inspirations as well. As successful artistes exist/existed who were tied to the apron strings of drugs, you could count artistes of even equal number who were permanently in dissonance with drugs.
In my book, Ayinla Omowura: Life and Times of an Apala Legend, I drew on a canvas the tragic Shakespearean life of Ayinla, an equally highly talented Yoruba musician whose life was cut short in his prime. While drug consumption, which he was notorious for, like Majek, couldn’t be strictly isolated as cause of his death, it was obvious that if Ayinla had escaped the violence that eventually took his life, another death lurked in the backyard for him in his unconscionable drugs addiction.
There is no gainsaying the fact that many of today’s musicians are enmeshed in a binge of drugs consumption. Fela Anikulapo-Kuti, Orlando Owoh and many other departed musicians, are some of the superlative artistes who were notorious consumers of drugs. Slightly over a year ago, the name of hip-hop singer, Davido was caught in a messy puddle of drug allegation when some of his friends were caught with the substance, a pastime that claimed the lives of some of them. For the Davido gang in the musical and showbiz world, it is almost an anathema not to be involved in the culture of drugs which I once dubbed the water bottle culture.
This has proved to be the graveyard of many in this category.
As I penned this lamentable end of the glittering star, Majek, I remembered another musical star close to my heart which dimmed unceremoniously. It is the tragedy of the life of Brenda Fassie, a highly talented South African singer, so talented that the great Nelson Mandela was not only fascinated by her song and danced with her on the dancehall, the Madiba and million others, including this writer, were her fans.
Born November 3, 1964 in Langa, Cape Town, Brenda, like Majek, was a wonder to watch. Her album, Memeza (Shout) which was released in 1997, is rated as the apogee of her musical success. It went platinum on the first day of its release. After Yvonne Chaka Chaka, arguably no musician from that country possessed her waltz and voice. She also made a huge contribution to Miriam Makeba’s famous hit, Sangoma, as well as Harry Belafonte’s anti-apartheid song, Paradise in Gazankulu. She was once voted 17th in the Top 100 Great South Africans.
Unfortunately, Brenda was a suicidal drug addict and addictively wedged to lesbianism.
Brenda was not only talented, she possessed the tantrums of divas, so much that the Time magazine dubbed her the Madonna of the Townships. The world however began to notice hiccups in her life when her weird passion spilled into limelight in 1995. Brenda was found in a hotel room with the remains of her lesbian partner, who passed on during an orgy. She had died of apparent drug overdose. Brenda herself must have gone in and out of a rehab for about 30 times and on one occasion, sure she had overcome drugs, screamed, “I’m going to become the Pope next year. Nothing is impossible!” A few years after, Brenda reportedly collapsed in her brother’s arms, flung her last cocaine straw on the kitchen floor of her home in Buccleuch, fell into a coma and died on May 9, 2004, shortly after suffering from a brain damage. Post mortem report even claimed she was HIV-positive.
Today, hundreds of musicians and emerging stars, especially in Nigeria, are trapped in waltz of drugs. Their excuse is that it is a performance-enhancer. They however fail to come to terms with two facts: one, that you could perform resplendently without drugs and second, drugs could cut your life short at the cusp of stardom.
This is the life of Majek Fashek; a star who lit his own candle in the wind.
Entertainment
AMVCA 2025: Organisers Unveil Full List of Nominees

The Africa Magic Viewers’ Choice Awards (AMVCA) has unveiled the nominees for its highly anticipated 2025 edition, recognising outstanding achievements in African filmmaking, acting, and content creation.
The shortlist, released on Sunday night, features some of the most celebrated talents in the industry, with Uzor Arukwe and Omoni Oboli among the nominees. Uzor has been nominated for Best Supporting Actor for his role in Suspicion, while Omoni secured a spot in the Best Supporting Actress category for Wives on Strike 3.
This year’s AMVCA will feature 28 categories, including both voting and non-voting awards, covering various aspects of filmmaking, from acting and directing to cinematography and digital content creation.
Top Contenders and Categories
The Best Supporting Actress category boasts a stellar lineup, including Meg Otanwa (Inside Life), Tina Mba (Suspicion), Ireti Doyle (All’s Fair in Love), and Mercy Aigbe (Farmer’s Bride), among others. Meanwhile, Best Supporting Actor nominees include Adedayo Adebowale Macaroni (Lisabi: The Uprising), Richard Mofe-Damijo (Christmas in Lagos), and Gabriel Afolayan (Inside Life).
In the leading categories, Best Lead Actress nominees include Bimbo Ademoye (Anikulapo: Rise of the Spectre), Chioma Akpotha (Seven Doors), and Hilda Dokubo (The Uprising: Wives on Strike 3). Best Lead Actor contenders include Femi Adebayo (Seven Doors), Stan Nze (Suspicion), and Gideon Okeke (Tokunbo).
Celebrating African Creativity
This year’s edition features an exciting mix of Indigenous Language Films, with nominations for Seven Doors (Femi Adebayo), Lisabi: The Uprising (Adedimeji Lateef and Adebimpe Oyebade Adedimeji), and Anikulapo: Rise of the Spectre (Kunle Afolayan). The Best Movie category sees strong competition from Lisabi: The Uprising, Skeleton Coast, Suspicion, and House of Ga’a.
Other notable categories include Best Director, where nominees such as Bolanle Austen-Peters (House of Ga’a), Norman Maake (Inkabi), and Robert O Peters (Skeleton Coast) will battle for the top honour. The Best Cinematography award features Inkabi, The Legend of the Vagabond Queen of Lagos, and Agemo.
Additionally, the AMVCA recognises digital content creators, with nominees including J
Entertainment
Olamide Baddo: The Silent Architect Behind Afrobeats’ Biggest Stars

In the grand story of Afrobeats’ global rise, some names echo loudly in the mainstream, while others work quietly behind the scenes, shaping the industry’s direction and future. Olamide Adedeji, popularly addressed as ‘Olamide Baddo’, by his numerous fans, is one of the few rare genii that does both. One of the major pioneers of indigenous rap, a trendsetter of street hop, and the kingmaker of Nigeria’s biggest new-generation stars, Olamide has cemented his legacy not just as an artist, but as an empire builder.
For over a decade, his ‘Yahoo Boy No Laptop Nation’, better known as YBNL Nation or simply YBN label has been the launchpad for talents who now dominate the charts, proving that beyond being a hitmaker, Olamide is the silent architect of Afrobeats’ next generation. While others chase global headlines, he works quietly—discovering, nurturing, and elevating stars who redefine the industry.
The Making of a Legend: From ‘Bariga’ to the ‘Big Stage’
Born on March 15, 1989, in Bariga, Lagos, Nigeria, Olamide’s journey into music was driven by raw talent, resilience, and a deep connection to his roots. He struggled hard to burst onto the scene in 2011 with his debut album Rapsodi, introducing a unique blend of Yoruba rap and street lingo. His follow-up project, YBNL, cemented his place as a force to be reckoned with.
Since then, Olamide has consistently released hit albums, amassing an impressive 13 studio projects—a feat unmatched by most of his peers. His discography is a goldmine of anthems, from Durosoke, Shakiti Bobo, and Wo! to Infinity and Jinja among others.
But beyond his success, his biggest achievement lies in the stars he has introduced to the world. Olamide’s YBNL label has proven to be a powerhouse for nurturing and launching some of Nigeria’s biggest music stars.
YBNL’s Role in Afrobeats’ Evolution
While many artists focused solely on their careers, Olamide Baddo took a different path. In 2012, he founded YBNL Nation, a record label that has since become one of Nigeria’s most influential music powerhouses. Through YBNL, he has discovered and mentored some of the biggest names in the industry, including:
Lil Kesh
Olamide’s decision to sign Lil Kesh to YBNL in 2014 was one of the best moves for the young artist’s career. Under Olamide’s mentorship, Lil Kesh released hit singles like Shoki, Efejoku, and Gbese, which became street anthems across Nigeria. His unique ability to blend street hop with catchy hooks made him a fan favourite, and with Baddo’s guidance, he earned a Headies nomination for Next Rated in 2015. Though he later left YBNL to establish his own label, YAGI, Olamide’s influence remains a crucial part of his rise to stardom.
Adekunle Gold
Before joining YBNL, Adekunle Gold was primarily known as a graphic designer, even designing the YBNL logo. However, Olamide saw his musical potential and signed him in 2015, a move that transformed Adekunle Gold’s career. His debut single, Sade, became a massive hit, followed by songs like Orente and Pick Up. Olamide provided the platform and industry connections that allowed Adekunle Gold to transition from a struggling artist to a mainstream sensation. Today, AG Baby is one of the most successful alternative Afrobeat artists, and his foundation in YBNL played a huge role in that success.
Viktoh

Signed alongside Lil Kesh, Viktoh was one of the early members of YBNL, bringing a unique blend of rap and Afrobeat to the label. Although he didn’t achieve the same level of commercial success as some of his labelmates, his tracks like Skibi Dat and Me and My Guys showed promise. Olamide’s backing helped him gain recognition, but he eventually faded from the mainstream spotlight. Nonetheless, his time at YBNL gave him the platform to build a fanbase and industry connections.
Chinko Ekun
Known for his heavy punchlines and street rap skills, Chinko Ekun was another beneficiary of Olamide’s vision when he joined YBNL in 2015. His freestyle abilities set him apart, and under Baddo’s mentorship, he released tracks like Able God, which became a national anthem in 2018. Even after leaving YBNL, Olamide’s influence was evident in his career growth, as he continued to push indigenous rap forward in Nigeria’s music industry.
Davolee
Olamide signed Davolee as part of his mission to promote raw street talent, and the rapper didn’t disappoint. His storytelling ability stood out, especially in Festival Bar, where he detailed his struggles before fame. Although he didn’t stay long in YBNL, the exposure he got under Olamide helped him gain credibility in the industry. After exiting the label, he continued dropping music that resonated with the streets, a testament to the foundational training he received at YBNL.
Temmie Ovwasa
As the only female artist signed to YBNL at the time, Temmie Ovwasa brought a different vibe to the label with her soulful and alternative sound. Her debut track, Jabole, showcased her vocal depth, and with Olamide’s backing, she gained instant recognition. However, creative differences eventually led to her departure from YBNL. Despite this, Olamide’s platform helped her establish a presence in the industry, even as she later pursued a more independent artistic direction.
Fireboy DML
Perhaps the most commercially successful YBNL signee, Fireboy DML joined the label in 2018 and immediately took the industry by storm. His debut album, Laughter, Tears & Goosebumps, was a massive success, featuring hits like Jealous, What If I Say, and King. Olamide’s strategic push for Fireboy, including securing a partnership with Empire Distribution, played a major role in his rise. Fireboy’s sophomore album, Apollo, and the global success of Peru further cemented his place as one of Afrobeats’ biggest stars. Without Olamide’s vision and investment, Fireboy’s meteoric rise might not have happened.
Lyta
Lyta’s story is another example of Olamide’s generosity in nurturing young talent. Signed to YBNL in 2018, he quickly gained attention with Time, featuring Olamide. His melodic style made him a fan favourite, but internal issues led to his departure from the label. Despite leaving YBNL, the exposure he gained under Olamide helped him secure a fanbase, allowing him to continue his career independently, with later hits like Monalisa gaining international attention.
Limerick
A talented rapper discovered by Olamide via Instagram, Limerick’s signing to YBNL in 2018 was a big moment for his career. His debut single, Pesin, featuring Olamide, introduced him to a larger audience, and his sharp lyricism made him stand out. However, like many YBNL signees, he eventually left the label to pursue his career independently, though the platform Olamide provided helped put him on the map.
Picazo Rhap
Picazo Rhap’s journey to YBNL began when a viral freestyle caught Olamide’s attention, leading to his signing in 2018. He quickly gained buzz with his feature on Macaroni alongside Yomi Blaze. However, his time at the label was short-lived, as he left to carve out his own path. Despite this, Olamide’s early support gave him industry credibility, allowing him to maintain relevance in Nigeria’s rap scene.
Yomi Blaze
Signed alongside Picazo Rhap, Yomi Blaze was another street-hop rapper who benefited from Olamide’s influence. His aggressive rap style and energetic delivery earned him a spot in YBNL, but like Picazo, he left the label after a short stint. Despite this, his signing alone gave him significant industry exposure, proving Olamide’s impact in bringing underground rappers to mainstream attention.
Asake
The latest and arguably the most successful YBNL signee since Fireboy, Asake has taken the music industry by storm with his unique blend of Fuji, street-hop, and Amapiano. Signed in 2022, Asake quickly became a dominant force with hits like Sungba, Joha, and Omo Ope, all under Olamide’s guidance. Baddo’s mentorship, including personally featuring on his breakout single, gave Asake the push he needed to become a household name. With an impressive streak of chart-topping songs and a global fanbase, Asake stands as one of Olamide’s most successful protégés.
For every name that YBNL has produced, Olamide’s silent influence has shaped their journey. Unlike many label bosses, he doesn’t seek credit—he lets the success of his protégés speak for itself.
Badoo’s YBNL brand has established itself as a breeding ground for some of Nigeria’s most successful music stars. Beyond the artists he openly mentored and collaborated with, his keen eye for talent has quietly shaped the careers of several industry heavyweights, either through direct influence or behind-the-scenes support. His ability to discover and nurture raw potential remains unparalleled, as he has, both openly and in subtle ways, influenced the rise of numerous musical icons, including those he never officially signed or featured on songs but also freely blessed with verses.
Some of them are :
Zlatan Ibile
Olamide’s impact on Zlatan Ibile’s career was a game-changer, as his feature on My Body in 2017 gave Zlatan the visibility he needed to penetrate the Nigerian mainstream music scene. The song quickly became a street anthem, and the association with Baddo cemented Zlatan’s credibility in the industry. This exposure set the stage for his rise, leading to subsequent hits like Zanku and Bolanle, as well as the creation of the now-popular Zanku dance movement.
Bella Shmurda
Before Bella Shmurda became a household name, his breakthrough moment came when Olamide jumped on the remix of Vision 2020. The collaboration, released in 2019, amplified Bella’s reach and gave his street-conscious music a much-needed boost. The success of the remix opened doors for Bella, eventually leading to chart-topping hits like Cash App and Rush, as well as a spot among the new generation of Afrobeats superstars.
Portable
The emergence of Portable in 2021 was largely due to Olamide’s influence when he featured on the viral hit Zazoo Zehh alongside Poco Lee. The song became an instant sensation, turning Portable from an underground street artist into one of the most talked-about figures in the industry. Olamide’s co-sign not only elevated Portable’s career but also gave him the platform to navigate the industry with multiple endorsements and show appearances.
Naira Marley
Although Naira Marley was already building a fanbase with his controversial and street-savvy music, Olamide’s indirect influence helped shape his rise. Their collaboration on tracks like Issa Goal and Ko Si Werey pushed Naira Marley further into the limelight, particularly during the 2018 FIFA World Cup when Issa Goal became an unofficial anthem. The exposure he gained contributed to the formation of the Marlians movement, one of the most dedicated fan bases in Nigerian music.
CDQ
CDQ’s career took a defining turn when Olamide jumped on Indomie, a track that helped introduce him to a larger audience. The collaboration, released in 2015, became a massive club hit and positioned CDQ as a dominant voice in the indigenous rap scene. With Olamide’s influence, CDQ was able to refine his street-hop style, which later led to further hits like Nowo E Soke and Say Baba, solidifying his place in the industry.
Reminisce
Olamide and Reminisce have had a long-standing relationship as two of Nigeria’s leading indigenous rappers. Their collaboration on Local Rappers in 2015, alongside Phyno, was a cultural statement that reaffirmed the dominance of Yoruba and Igbo rap in mainstream Nigerian music. Olamide’s influence helped Reminisce maintain his street credibility and commercial appeal, ensuring that his music remained relevant to core hip-hop lovers.
T.I Blaze
In early 2022, Olamide gave T.I Blaze his big break by featuring on Sometimes (Remix), a song that captured the struggles of the streets. The remix gained massive airplay, bringing the previously unknown artist to the forefront of Nigeria’s music industry. This single not only boosted T.I Blaze’s career but also opened doors for collaborations with other mainstream artists, proving once again that an Olamide feature is a career-defining moment.
Bad Boy Timz
Olamide’s impact on Bad Boy Timz was evident in their collaboration on Loading, a standout track from Olamide’s Carpe Diem album. The song became a fan favorite, giving Timz a much-needed push in the industry. Following this exposure, he went on to win the Rookie of the Year award at the Headies, showing how a single feature from Baddo can accelerate an artist’s career trajectory.
Jaido P
Jaido P’s career took a major leap forward when Olamide featured on Tesinapot, a song that blended street hop with catchy lyrical flows. The collaboration, released in 2020, introduced Jaido P to a wider audience and positioned him as one of the promising acts in the industry. The Olamide effect was evident as the song gained massive traction across streaming platforms, giving Jaido P the recognition he needed to stay relevant.
Seyi Vibez
Although Olamide hasn’t directly collaborated with Seyi Vibez, his influence on the rising star is undeniable. Seyi Vibez’s sound, which combines street wisdom with soulful melodies, mirrors Olamide’s early career approach. Baddo’s endorsement of his music on social media helped bring more attention to Seyi Vibez, solidifying his status as one of the most promising artists in the Nigerian music industry today.
More Than Music: Oleamide’s Cultural and Business Influence
Olamide’s impact isn’t just limited to music. He has influenced fashion, street culture, and business, positioning himself as an icon for young Nigerians. His raw, unfiltered personality and deep connection to the streets make him a relatable figure, while his strategic business moves keep him ahead in an ever-changing industry.
From landing brand deals with multinational companies to running one of the most successful independent labels, Olamide’s playbook is one that aspiring musicians and entrepreneurs study closely.
What’s Next for Baddo?
Despite his legendary status, Olamide shows no signs of slowing down. Whether he’s dropping hit records, executive-producing new artists, or expanding his business empire, his presence in the entertainment scene remains undeniable. As Afrobeats continues its global takeover, one thing is certain—many of its biggest stars owe their success to the silent architect of the game, Olamide Baddo.
In an industry where many chase the spotlight, Olamide has proven that true power lies in building legacies, not just hits. His work behind the scenes has shaped the sound of Nigerian music today, and his impact will be felt for generations to come.
Long live the kingmaker!
Idowu Ayodele, a journalist and publisher of Mega Icon Magazine, writes from Ibadan, Oyo State. He can be reached via email at megaiconpress@gmail.com or through 08058893736, 07049626913.
Entertainment
Iyabo Ojo Reveals Painful Past: “I Was Raped Five Times in My Life”

Popular Nollywood actress, lyabo Ojo, has opened up about her traumatic experiences with sexual assault, revealing that she was a victim of rape on five separate occasions.
The emotional disclosure came during an interview with fellow actress, Biola Bayo on the talk show Talk to B.
In the heartfelt conversation, lyabo explained her staunch stance against sexual violence and her zero tolerance for rape apologists. She stressed that she would not hesitate to confront anyone guilty of the crime, even if it were her own son.
“I was raped five times in my life,” she said. “I discovered we have a lot of rape apologists. I don’t care who the person is; if that person is my son, I am going to come for him unapologetically.”
The actress also shared details of her challenging upbringing, revealing that she was raised by her grandmother and only met her mother at the age of seven.
“I grew up with my grandmother, who is half Delta and half Igbo. I think I was seven before I knew my mother,” she recounted.
lyabo further revealed the strained relationship she had with her father, who disowned her when she chose to marry her ex-husband against his wishes. Tragically, her father’s struggles with alcohol and drug addiction cut his life short at the age of 49.
“My dad did everything- alcohol and drugs -so it messed him up at a young age. He died at 49,” she said.
The actress also addressed rumours about her relationship with controversial singer, Naira Marley, clarifying that despite public perception, she has never met him in person.
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