Opinion
Is Soyinka, the god, unraveling?
Kongi, Nigeria’s Nobel Laureate, a deity before whom many Nigerians tether goats, sprinkle oil, pour libations and offer ekuru of appeasement, is going through ferment. It is a period comparable to that low moment which, the Yoruba say, when big misfortunes wrestle one down, smaller travails defecate into one’s mouth – Ti iya nla ba gbe’ni san’le, kekeke a ma g’ori eni. In an elegy to Adegoke Adelabu who died in a 1958 road crash, his NCNC political party bard, Ilorin, Kwara State-born Odolaye Aremu, narrated his sudden death and the emergence of voices of diatribes against this Oluyole petrel and the sorry fate that bedeviled him posthumously more brilliantly. Awon osa kekeke wa nsope Sango o ponmo’re – Smaller gods with less vibes and lesser grits, on account of his misfortune, now clamber on Sango, god of thunder, lord of the storms, commander of lightning. As they mocked him, they claimed that this god, feared at home and in villages, lacked the bravura of a god. This was the fate of Sango as he walked to Koso, where he was believed to have committed suicide.
Rather than enter into the anti-climax which Odolaye, the poet, went into by cursing these voices of dissent – Olohun o dajo, ile o yan’ka! – this piece will seek to study the Kongi’s unraveling.
Only puerile revisionists will fail to give Soyinka his rightful worth in the politico-historical development of Nigeria. He earned his badge as a General among crusaders for a just society. Aside being a playwright, novelist, poet and essayist, Soyinka became the first sub-Sahara African to be conferred a Nobel for his “wide cultural perspective and with poetic overtones fashioning the drama of existence.” Like his cousins, the Ransom-Kutis of Abeokuta, Soyinka is weird, iconoclastic and a certified non-conformist. In the 1960s, Soyinka transited from being a man of the theatre and literature into taking active role in Nigeria’s political history. Indeed, he played a sizeable part in Nigeria’s campaign for independence from colonial rule, most of which was done through the vehicle of literature and the activism of the theatre.
In 1965, however, Soyinka sidestepped theory into praxis by seizing the Western Nigeria Broadcasting Service studio, from where he broadcast a call for the cancellation of the Western Nigeria Regional Elections. He wasn’t done. Upon being discharged of this allegation in court, he followed this path. When it was becoming clear that the Nigerian civil war was looming, coming immediately after being conferred with the Chair of Drama at the University of Ibadan where he taught, Soyinka’s political activism became more noticeable. After the January 1966 coup, Soyinka surreptitiously and unofficially held a meeting with Odumegwu Ojukwu, who was the military governor of the Eastern State in Enugu in August, 1967, with a view to averting the war. The military government of Yakubu Gowon interpreted this to be an affront and set out dragnets to arrest the theatre teacher. At long last, the Gowon government got him arrested and locked him in solitary confinement for two years. The charge against him was that he volunteered as a non-government mediating actor between Odumegwu’s nascent Biafra and the Federal Government.
In all these and over the years, Soyinka had been something of a mascot among Nigerians, venerated with the sacredness of a deity. He was almost without blemish, even when those who knew him spoke of his sundry human frailties. For instance, Soyinka is reputed to have had multiple liaisons, marrying three times and getting divorced twice. From the three marriages, he begot eight children and had two other daughters. The first marriage was to late British writer, Barbara Dixon. The two of them had met and fell in love in the 1950s while Soyinka was teaching at the University of Leeds, with Barbara giving him his first son, Olaokun and his daughter, Morenike. In 1963, Soyinka got married again to the librarian, Olaide Idowu and had three daughters – Moremi, Iyetade (deceased), Peyibomi – and a second son, Ilemakin, from her. If you want to know the seismic nature of that marriage, read Soyinka’s memoir, about how Olaide dropped his child by the prison doorpost. In 1989, Soyinka married Folake Doherty, a far younger lady and from that marriage, three sons – Tunlewa, Bojode and Eniara – emerged. Soyinka is also an unapologetic connoisseur of wine.
His heroism notched up when in November, 1994 he fled Nigeria by its border with Benin, to the United States. The dictator, General Sani Abacha, had sought his flesh for barbecue. The playwright fled for his life. Perhaps, if he hadn’t, Abacha would have, like the Fourth Citizen retorted in Shakespearean Julius Caesar about Cinna the poet, had him torn into pieces for his “bad verses.” Soyinka then aligned with Nigerians of similar persuasions to form the anti-military coalition, the National Democratic Coalition (NADECO) which, unarguably, was one of the major planks that birthed democracy of the fourth republic that Nigeria currently enjoys. It was that association which got Soyinka yoked with some characters that many Nigerians see as having defanged the roar of Soyinka the lion. I will paint this canvas presently.
No one can be allowed to mis-plot the graph of Soyinka’s trajectory as a major voice of the voiceless in Nigeria. On several occasions, whether convenient or otherwise, Soyinka had looked autocracy and barbarism in their faces and spat on them. In 1986, when a small embankment separated him from death, Soyinka, John Pepper Clark and Chinua Achebe had paid a plea visit to General Ibrahim Babangida at the Lagos Dodan Barracks to plead with him to spare the life of General Mamman Vatsa, the highly scarified Bida, Niger State-born soldier who also doubled as a poet. Of that plea visit, Clark had written: “He (IBB) duly received us at Dodan Barracks the next day, and was his charming self and all attention. A difficult case, he told us. Some junior officers were the problem, but not to worry. He would take care of it. So we left, walked straight into the arms of the press, and on to a restaurant to toast and treat ourselves to a lunch we all thought we thoroughly deserved. We were still savouring our wine, when that same afternoon, General Domkat Bali, Chief of Defence Staff, came on air, announcing Vatsa and the other accused had already been executed. As a matter of fact, the execution did not take place until well into the night that day.”
Since the beginning of the Fourth Republic, while Soyinka has retained his respectability as a numero uno essayist and laureate, once issues verge on or his reaction is sought on matters that had to do with some of the people with whom he had dalliances with in exile, the Kongi had always fled into a romance with Janus. Being an old boy of Government College, Ibadan which he attended in 1954, mum was the word from him when a fellow NADECO fugitive, Bola Tinubu’s claimed attendance of his alma-mater became a contentious issue in 2000. The inaccessible bottomlessness of the relationship between Soyinka and Tinubu is a known issue in Nigeria. It is a no-go route for Soyinka. If at all he has to make a comment on it, the professor finds a way of obfuscating the issue with so inaccessible a grammar that it becomes a metaphysical dungeon. This has further led people into making allusions to how the Kongi engages in incestuous and adulterous relationship with the Ananias and Sapphiras of Nigerian politics.
For instance, Rotimi Amaechi, who confessed that Soyinka’s literature texts were almost like revered ancient parchment rolls from the gods to him while he was a student of the Rivers State University, invited the Kongi to a dinner. That wining and dining session later became a huge scandal. Upon Amaechi’s exit from government, the Rivers State Information Commissioner, Dr Austin Tam-George, claimed that the state government spent a whopping sum of N82million on the dinner, insinuating that the Nobel Laureate received part of the funds in cash. The Nyesom Wike government, through the commissioner, also alleged that, using the Ministry of Information and Communications, the Amaechi government amassed N1.1billion debt on frivolous expenditure. Tam-George said: “I will seek the permission of the Governor to formally write Professor Wole Soyinka, a known supporter of Amaechi, if he received part of the N82million spent on a 3-hour dinner hosted for him by the Amaechi administration.”
Unlike his wont, Soyinka has refused to scythe growing dissention to the presidential election that held in Nigeria in February. In a recent interview he granted the Channels Television, although like many Nigerians, the Nobel Laureate shelled the vice presidential candidate of the Labour Party, Datti Baba-Ahmed. In a later clarification of the interview, he had said, “I denounced the menacing utterances of a Vice-Presidential aspirant as unbecoming. It was a gladiatorial challenge directed at the judiciary and, by implication, the rest of the democratic polity.” To Peter Obi, he said: “It was depressing to watch his lieutenant, a crucially positioned voice of a movement that has ‘broken the mould’, threaten the totality of social existence. Whatever our ideological leaning, is Donald Trump the ideal template for a burgeoning democracy in the nation?” Calling Obi’s supporters fascists, he wrote, in a release he entitled “Media responsibility,’’ last Tuesday, that he had earlier warned the LP flag-bearer on “excesses” of his supporters, otherwise known as ‘Obidients’, stating that, “My rejection of fascism is nothing new. On three occasions, I was able to send a message to Peter Obi that if he lost the election, it would be his followers who lost it for him.”
Trust the group of Rottweilers nurtured to hyena menacing look on the social media, who take it upon themselves to tear every seeming adversarial comments against Peter Obi to shreds, they did not disappoint. They also take on purveyors of such messages. This army fell on the Kongi’s flesh and tore it mercilessly. Those are a bunch of children whose minds are impervious to Nigeria’s history and are dead to the gallantry of our heroes past. The Kongi thereafter became the butt of jokes on the social media, defoliated of the heroics which he carefully cultivated in decades. This army was at its diapers when Soyinka was picking these roses.
The unruly crew on the social media was not alone. It was also an opportunity for those who had put up with the off-putting hypocrisy of Soyinka’s blind eyes to the Bourdillon Overlord’s excesses. It was time to strip the Nobel Laureate of all the noble epithets he had earlier been shawled with. The Kongi then began to receive the back of the tongues of Nigerians. Many believe that, in this latest intervention of his, he was obviously on an amicus-curiae assignment for those who fear that if not tamed, the rumpus of growing global disaffection with what was termed the electoral heist of February 25 may rally global disdain against the election. It is feared that this may remove the rug of legitimacy off the Bourdillon Overlord’s “President-Elect” status. Soyinka, they believe, is on assignment, like the DSS and some other funny characters who are seeking victimhood for the President-Elect. One Ekenedirichukwu said: “Prof Soyinka has refused to answer every question AriseTV asked him. He is such a hypocrite. He is yet to say what Datti Ahmed said that’s wrong or inciting. You are okay with Sowore #Revolutionnow but you have problem with Datti asking for constitution to be followed.” Many of them asked him what the difference was between the gun he pointed at a Newscaster in 1965 and the verbal entreaty of Datti Ahmed.
Nigerian literary giant, Chimamanda Adichie, also wrote an open letter to President Joe Biden, published by the US-based The Atlantic newspaper, entitled Nigeria’s Hollow Democracy. In the piece, Adichie interrogated how Americans congratulate the winner of Nigeria’s February election. She quarreled with American establishment bending over backwards to fawn Tinubu, in the face of the quaint taint of electoral heist that catapulted him into reckoning. “American intelligence surely cannot be so inept. A little homework and they would know what is manifestly obvious to me and so many others: The process was imperiled not by technical shortcomings but by deliberate manipulation,” she said. Son of Late Justice Chukwudi Oputa, Charly Boy, also wondered how Soyinka had become “boy-boy” of tainted politicians.
One of the voices expressing worry at perceived slump of the Soyinka mystique is that of highly respected columnist and social media commentator, Kayode Samuel. He had written: “The Nobel Prize does not confer deity on any of its recipients. If a Nobel Laureate is inconsistent or speaks out of turn, he deserves to be called out. It cannot be an accident that the prime beneficiary of the electoral heist that triggered Datti Ahmed’s outburst happens to be Professor Wole Soyinka’s friend and, some say, benefactor. Let’s leave our worship of any being solely for the Supreme Being, please!”
In another vein, he wrote: “Professor Wole Soyinka, our revered Nobel Laureate attended Government College Ibadan. So did I. A generation separates our days in that great school. But the ideals imparted within its hallowed walls are eternal, crossing all generations. Two lines from our School Song are relevant for the debate now raging over Soyinka’s new politics. The second line of the first stanza says, ‘By order, justice and fair play ruled.’ And the third line of the second stanza goes, ‘By our examples and not by precept.’ Professor Soyinka needs to ask himself some probing questions as to how true he has been to these words. Has he remained on the side of justice and fair play in his recent interventions? And has he shown good example, rather than seeking anchor in empty precepts? My hunch is that his troubles started and that he set himself up for the current uproar the day he chose to align with people who lied about having attended GCI. He needs to retrace his steps back to the more ennobling company of his youth, that exemplif(ies) the ideals imparted to all authentic GCI old boys…”
But not one to shy away from calling a mongrel by its name, the Kongi struck all those who said his Sango lacks the bravura of a god. That reply was however a potpourri of ad-hominem arguments, disparaging the commentators and neglecting to reply to their seemingly water-tight arguments. Among others, he said what was being sired was “a climate of fear” and “the refusal to entertain corrective criticism, even differing perspectives of the same position (which) has become a badge of honour and certificate of commitment. What is at stake, ultimately is – Truth, and at a most elementary level of social regulation: when you are party to a conflict, you do not attempt to intimidate the arbiter, attempt to dictate the outcome, or impugn, without credible cause, his or her neutrality even before hearing has commenced.” He called the Obidents so many unprintable names.
If the truth must be told, though Soyinka, like many other Nigerians, must be shocked at the bewildering irascibility of the Obidient gang on the social media, the Nobel Laureate’s oft decision to lap up every trickle of spittle from Bourdillon is worrisome. Just as Kayode Samuel said, the Kongi is not being called out for taking an unpopular stand. He is being repelled because people know that each time the matter had Bourdillon’s imprimatur as this, his voice is always that of Jacob and the hand, Esau’s. Age and experience should have taught the Kongi, as Yoruba elders counsel, that it is not every forested jungle that the itinerant herbal forager plucks; nor is it every palm tree that the palm-wine tapper taps – gbogbo ewe ko ni ojawe nja; gbogbo ope ko ni onigba ngun. There are some poisonous leaves that are forbidden from being plucked and some palm-trees are havens of lethal vipers. If anyone ignores this time-worn aphorism, they sink into oblivion.
Dr. Adedayo, a journalist, lawyer and columnist writes from Ibadan
Former Governor of Kaduna State, Nasir Ahmad El-Rufai, is a restless and courageous politician. However, he ought to have learned political patience from President Bola Ahmed Tinubu, who spent years building a viable political alternative to the Peoples Democratic Party (PDP) when its stalwarts boasted that they would rule Nigeria for 64 years.
Cleverly, Tinubu abandoned the Alliance for Democracy (AD) to establish another political platform, the Action Congress (AC), which later metamorphosed into the Action Congress of Nigeria (ACN).
In collaboration with other political groups—including the Congress for Progressive Change (CPC) and some elements of the PDP—the All Progressives Congress (APC) was born, with El-Rufai as one of its foundation members. Ultimately, the APC wrestled power from the PDP, truncating its 64-year dominance plan.
For El-Rufai to abandon the APC now is nothing short of political suicide, as Tinubu is strategically positioned to secure a second term with an array of both seen and unseen political foot soldiers.
The Social Democratic Party (SDP), as a political entity, effectively died with the late Moshood Kashimawo Olawale (MKO) Abiola. Any attempt to resurrect it is an exercise in futility.
For the sake of argument, let’s consider a hypothetical scenario: Suppose another southern politician is fielded in 2027 and wins the election. Even if he signs an agreement to serve only one term, political realities could shift, and he may seek another four years.
If anyone doubts this, they should ask former Presidents Olusegun Obasanjo and Goodluck Jonathan. The simple implication of this is that President Tinubu remains the best candidate for northern politicians seeking a power shift back to the North in 2031—at which point El-Rufai could have been one of the credible northern contenders for the presidency.
When Ebenezer Babatope (Ebino Topsy), a staunch Awoist, chose to serve in General Sani Abacha’s regime, he later reflected on his decision, saying: “I have eaten the forbidden fruit, and it will haunt me till the end of my life.”
By abandoning the APC for another political party, El-Rufai has also eaten the forbidden fruit. Only time will tell if it will haunt him or not.
However, for some of the political leaders already contacted from the South West, supporting any party against President Tinubu would be akin to Judas Iscariot’s betrayal—a reputation no serious South West politician would want to bear.
El-Rufai’s departure from the APC to SDP is nothing short of a suicidal political move, reminiscent of Harakiri.
Prof. Adeniyi Olowofela, a former Oyo State Commissioner for Education, Science, and Technology and the Commissioner representing Oyo State at the Federal Character Commission (FCC), sent this piece from Abuja, the nation’s capital.
For most of last week, Senate President Godswill Akpabio was in the eye of the storm as his traducer, Senator Natasha Akpoti-Uduaghan, who represents Kogi Central, was relentless in getting her voice hear loud and clear.
Though the matter eventually culminated in the suspension of the Kogi senator for six months on Thursday, it is clear that the drama has not ended yet. The whole saga, as we have seen in the last few weeks, smacks many wrongs and few rights. The Senate scored some rights and some wrongs, the same for the Kogi senator. But in apportioning the rights and the wrongs, we have to distinguish between emotions and the rules.
Recall that in July of 2024, Senator Akpabio had compared the conduct of Senator Akpoti-Uduaghan to that of someone in a nightclub. That statement incensed the Kogi Central senator, the womenfolk, and a number of other senators. Days later, Akpabio, having sensed the mood of the Senate, spoke from his chair and said: “I will not intentionally denigrate any woman and always pray the God will uplift women, Distinguished Senator Natasha, I want to apologise to you.” That was expected of him and by that statement, Akpabio brought some calm into the relationship between him and the Kogi senator, but as we are to discover in the last two weeks, still waters do run fast under the surface.
The latest scene of the drama started with what looked like an innocuous development on the Senate floor. The Senate president, in exercise of the power conferred on him by the 1999 Constitution (as amended) and the Senate Rule book, made adjustments to the seats in the minority wing of the chamber and relocated Senator Akpoti-Uduaghan. The excuse was that following the defection of some senators from the minority side, seat adjustments had to be effected. That was within Akpabio’s power. Remember that the Senate Rule book does not only empower the Senate president to allocate seats, but he can also change the seats occasionally. So, Akpabio was right with that action. But perhaps Akpoti-Uduaghan, based on family relationships with the Akpabios, expected that she would have been alerted of the impending seat change. And on getting to the floor of the Senate to discover the seat switch, she got alarmed. Was she right to flare up? No, that is the answer. Apart from the powers of the Senate president to change seats allocated to senators, the rule book also says that every senator must speak from the seat allocated. The implication is that anything a senator says outside the allocated seat will not go into the Senate records. The Senate, or any parliament for that matter, is a regulated environment. The Hansards take records of every word and action made on the floor of the chamber. And so, it is incumbent on every senator to follow the rules.
So, on Thursday, February 20, when Senator Akpoti-Uduaghan raised hell over her seat relocation and engaged Senator Akpabio in a shouting match, she was on the wrong side of the Senate Rule book. No Senator is expected to be unruly. In fact, unruly conduct can be summarily punished by the presiding officer. It is important to note that the rules of the Senate treat the occupier of the chair of Senate President like a golden egg. The President of the Senate is the number three citizen in the country, even though he was elected to represent a constituency like his colleagues. He is first among equals, but the numero uno position comes with a lot of difference.
A legislative expert once told me that the Chair of the President of the Senate must be revered at all times and that infractions to the rules are heavily punished unless the offender shows penitence. The rule says the President of the Senate must be heard in silence; Senators must avoid naming (being called out for unruly conduct); and that any situation that compels the President of the Senate to rise up to hit the gavel in trying to restore order could earn the culprit (any named senator) summary dismissal. Those are the powers of the President of the Senate, which Madam Natasha was trying for size. I think it is important that Senators are taken through inductions on the rules and regulations, whether they got in mid-term or at the beginning of the session.
Rules are very key to operations in a big club like the Senate or the House of Representatives. But as we will later discover on this page, the number of years spent on the floor does not necessarily guarantee a clear understanding of the rules.
Well, as we saw it, Senator Akpoti-Uduaghan raised hell by protesting the decision of the Senate to relocate her seat. She was out of order, and her colleagues noted the same. With another presiding officer, she could have been suspended right there. But Akpabio didn’t do that. Then, the Kogi Central senator opened another flank, this time, outside of the Senate chamber. She granted an interview to Arise television, claiming that she had been sexually harassed by Akpabio. Here, too, Senator Natasha was on the wrong side of the Senate rules. Yes, she has a right of freedom of speech, but if the right must be meaningfully exercised, she must do so in compliance with the rules of the club she belongs-the Senate. This is expressly so because she is covered by Order 10 of the Senate Rule Book, which permits her to raise issues of privilege without previously notifying the President of the Senate or the presiding officer. The elders and the holy books also say that when you remove the log from the eyes, you show it to the eyes. As a club, the senate detests the washing of its dirty linen in the public. Such conduct led to the suspension of the late Senators Arthur Nzeribe and Joseph Waku, as well as Senator Ovie Omo-Agege, Senator Ali Ndume and even Senator Abdul Ningi in recent past.
Rather than go to the court of public opinion to accuse Akpabio of sexual harassment, Senator Akpoti-Uduaghan should have quietly assumed the seat allocated to her, raise her complaints through Order 10 and at the same time tender details of her sexual harassment allegation against Akpabio and seek Senate’s intervention. If she had done that, she would have been on the right side of Senate Rules and had Akpabio by the balls. As much as the Senate rules forbid a senator from submitting a petition he or she personally signed, the Senate does not forbid any lawmaker from raising allegations that affect either their rights or privileges on the floor. Several newspaper editors have been summoned before the Ethics Committee to answer questions of alleged breach of the privilege of senators. I recall that as correspondents in the chamber, senators were always unhappy each time we scooped a story or blow open a report they were about to submit. Such senators didn’t need to write a petition. They would only come to the floor and raise points of order on privilege. Senator Akpoti- Uduaghan failed to do that.
But the conduct of the Senate President and some of the principal officers on Wednesday, March 5, left so much to be desired of the Senate. I was shocked to see Senator Akpabio rule Senator Natasha in order; he also ruled Senator Mohammed Monguno in order as well as Senator Opeyemi Bamidele. How do you have three right rulings on one issue? First, he allowed Senator Natasha to lay a defective petition on the Senate table. That’s expressly out of order. In the days of Senate Presidents David Mark, Bukola Saraki, and Ahmad Lawan, we saw how such scenes were handled. A David Mark would simply ask the senator, ‘Distinguished Senator, please open to Order 40(4) and read’. By the time the senator finished reading the order and seeing the order had negatived his or her motion, he would only be begging to withdraw that motion. That was not the case with Akpabio. And to make matters worse, the clerks at the table were also looking lost. They could not guide the presiding officer in any way. That tells a bit about human resource capacity in the assembly. But then the Senate Leader, Opeyemi Bamidele and the Chief Whip, Mohammed Monguno, who have spent quite a long time in the National Assembly, should know better. Their interventions did more damage to Akpabio’s Senate. Once the President of the Senate had ruled Senator Natasha in order to submit a petition she personally signed, (against the rules of the Senate which forbids such), and the Kogi Central senator had approached the chair and laid the petition on the table, the matter in a way becomes sub judice, to borrow the language of the law. The Senate Rule Book classifies such an action as “Matters Not open to Debate.” So at that point, the matter was no longer open to debate. Since the gavel has been hit and the action has been taken, no senator has the right to reopen the case. It was wrong of Senator Bamidele and Monguno to immediately start to revisit a closed matter, and that’s illegal. It is wrong for Akpabio to allow it.
I recall an incident in the 6th Senate when President Umaru Yar’Adua was bedridden in Saudi Arabia. Some senators moved a motion, seeking the Senate to constitute a panel to visit Saudi and ascertain the health status of the president. Somehow, when the motion was finally passed on a day, Senator Ike Ekweremadu presided, it turned out that the motion only mandated the Federal Executive Council to do the assignment. The original proponents of the motion were enraged, but they were not allowed to reopen the matter. They had to go into lobbying and eventually secured signatures of two-thirds of the Senate to re-table the matter and that paved the way for the adoption of the famous “Doctrine of Necessity.” That’s how serious the matter should be handled, but it was trivialized by Akpabio, the Senate Leader and Senate Whip. That’s on the wrong side of the rule.
Now that Senator Akpoti-Uduaghan has been suspended, many would say she was being silenced. That is far from the truth. Her suspension was on the basis of what the senate perceived as unruly behavior on the floor. We are yet to hear the details of her sexual harassment allegations, and I believe that she has avenues to ventilate that. Nigerians earnestly await these details, which should be salacious enough to help us cool off some heat.
In South Africa under the presidency of Jacob Zuma, any analysis of government and governance without factoring sex into the mix was tame and lame. Zuma was a notorious polygamist who had six official wives as president, many more by unofficial account and 22 children from the liaisons.
He was a kingpin of lechery. On May 8, 2006, a South African court under Judge van der Merwe acquitted him of rape of Fezekile Ntsukela Kuzwayo, an HIV-positive AIDS activist, who was the daughter of his friend, Judson Kuzwayo. During trial, Zuma pleaded that the sex was consensual but admitted that he had unprotected sex with the lady. He then stunned the world with his bizarre claim that he had “showered afterwards to cut the risk of contracting the infection.”
In the process of studying power relations in Nigeria, sex as a phenomenon is often understudied or underrated. In other words, while power relations are known to be shaped by a complex interplay of factors that range from the economic, political, social, to the cultural, including individual characteristics and relationship dynamics, hardly are gender and sex reckoned with.
In my piece of March 6, 2022 with the title, Buhari’s Serial Rape Of Nigeria’s Lady Justice, I doubled down on a sub-theme of the powerful role sex plays in national politics. To do justice to this, I recalled a September 7, 2008 cartoon sketched by Jonathan Shapiro, award-winning cartoonist with the Johannesburg-based Sunday Times whose cartoon identity was Zapiro. I illustrated the piece with a submission that though political cartooning may look harmless, it can be nerve-racking, provoking the bile of political office holders and triggering a huge political umbrage in the process. This cartoon triggered a huge ball of fire in South Africa. Named ‘Rape of Lady Justice’, in it, Zuma, who was then leader of the African National Congress (ANC), and later to become president, was seen loosening his trousers’ zippers for a sexual romp. On his head was a shower cap. Before him, flung on the bare floor, was a blindfolded lady with a lapel inscribed, “Justice System” hung on her chest.
Four hefty and menacing-looking men knelt by the Lady Justice’s side, holding down the “wench”, whose skirt was half peeled off. They were political surrogates of Zuma in the ANC, which included Julius Malema, then leader of the ANC Youth League. The scale of justice had fallen down beside the Lady Justice, with one of the men smilingly beckoning on Zuma to clamber her, muttering, “Go for it, boss!”
That cartoon shot Zuma into a fit. Indeed, he immediately sued Zapiro for the sum of £700,000. Massive reactions followed it, ranging from the condemnatory to the laudatory. The ANC, SACP and ANC Youth League pilloried it as “hate speech,” “disgusting” and “bordering on defamation of character” and then petitioned the South African Human Rights Commission for redress.
I went into all these dogo turenchi, just as I did in another piece I wrote on February 6, 2022, to ask that we must not underrate the power of sex in high places. In that February piece, I borrowed a line from Irish poet and playwright, Oscar Wilde, who said, “everything in the world is about sex, except sex. Sex is about power”. With it, I submitted that the Wilde theory should tell us that there is an intersection between gender, sexual power and political power. This was further escalated by renowned scholar, Prof Wale Adebanwi, in one of his journal articles, where he submitted that “the African man of power must display or exhibit his virility – particularly sexual virility.” In the same vein, Zimbabwean journalist and blogger, Fungai Machirori, urged us to study the sexual histories of our men in power because, from the rhythm of their silently dangling penises, we may find a compass to their politics.
Last Thursday, the ghost of the spat between Senate President, Godswill Akpabio and senator representing Kogi West, Natasha Akpoti-Uduaghan, will seem to have rested. In the relations of power in the senate, on that day, Akpabio, it will seem, had succeeded in showing Akpoti-Uduaghan that, as bland-looking as the old Nigerian pence looked, it was not a currency to be trifled with by the Kobo coin (Bí tọrọ ṣe yọ to, kíì s’ẹgbẹ Kọbọ). Not only was she suspended for six months for violating senate rules and bringing the senate “to public opprobrium”, her salary and security details were withdrawn while her office would be locked during the pendency of the suspension.
If you watched the senate proceedings leading to Akpoti-Uduaghan’s suspension, you would be sorry for Nigeria. Then, African-American Sterling Brown would come to your mind, just as you visualize Jonathan Shapiro’s cartoon in Akpabio figuratively loosening his trousers’ zippers for a forceful sexual romp with the Lady Justice. With same lens, you would see Majority Leader, Opeyemi Bamidele, Adenigba Fadahunsi and other fawning senators holding down the “wench”, smilingly beckoning Akpabio to “Go for it, boss!”
Like Africans, African-Americans grew to know the wisdom which teaches that injustice is a furnace that burns and destroys. The life of Sterling Brown, professor at America’s Howard University, folklorist, poet and literary critic, was chiefly dedicated to studying black culture. In one of his poems entitled “Old Lem,” Brown wrote about mob violence and injustice which black people suffered in the hands of the American criminal justice system. American writer and civil rights activist, James Baldwin’s ‘The Fire Next Time’ also speaks to this theme. In the America of the time, black parents, aware of the danger of their blackness and the violence and death they could suffer, deployed folklore to cushion them, even as they told stories that depicted their skewed realities.
There was this famous folklore told to African-American children while growing up. Entitled “Old Sis Goose,” it goes thus, as I reproduce it verbatim: One day, “while swimming across a pond, Sis Goose got caught by Brer Fox. Sis gets pissed off because she believes that she has a perfect right to swim in the pond. She decides to sue Brer Fox. But when the case gets to court, Sis Goose looks around and sees that besides the Sheriff who is a fox, the judge is a fox, the prosecuting and defence attorneys are ones too and even the jury is comprised entirely of foxes. Sis Goose doesn’t like her chances. Sure enough at the end of the trial, Sis Goose is convicted and summarily executed. Soon, the jury, judge, Sheriff and the attorneys are picking on her bones.”
The morals of this old anecdote are two. One, as encapsulated in one of the lines of Apala musician, Ayinla Omowura’s track, is that, if you do not have a representative in a council where your matter will be decided, even if you are right, you would be adjudged guilty. The second moral is that, if the courthouse is filled with foxes and you are an ordinary, lonely goose, there will be no justice for you.
In the senate last week, Akpoti-Uduaghan was Sis Goose who looked around and saw that, beside the judge, Akpabio who is a fox, the prosecuting and defence attorneys were all foxes, too. Even the jury is comprised entirely of foxes. Though they appeared as unbiased umpire senators, they were flesh-starved foxes baying for blood of the hapless little Goose. And Sis Goose was summarily executed.
First, we must realize that, just like other Nigerian institutions, the power, glory, graft and corruption at the beck and call of Akpabio’s senate presidency is breathtakingly awesome and humongous. Don’t mind his suffocation of these agencies in his most times nauseating jokes, Akpabio has the power to literally turn anyone’s night into day. If you enter his senate as a pauper and find favour in his ego, you could upstage Mansa Musa, ninth Mansa of the Mali empire’s wealth. Owing to this largesse in his hands, as ants gravitate towards the pee of a diabetic, the senate president has the pleasure of a humongous number of solicited and unsolicited fawners and senatorial Oraisa (praise-singers) and hangers-on latching to his apron strings. It is a tactic to have a bite of the corruptive mountain of pies in the hands of the titular. This need to grovel by the feet of power was affirmed by Senator Opeyemi Bamidele. Akpoti-Uduaghan had alleged that, in a midnight call he made to her, he had threatened that, if Akpabio went down, she, too (ostensibly meaning a huge mound of free wealth) would similarly go into the incinerator.
As I recalled last week, immediately Akpoti-Uduaghan leveled allegations of sexual harassment against Akpabio on Arise TV, a build-up began to salvage Akpabio, the King Fox and prevent the largesse empire from falling. First came Onyekachi Nwaebonyi, senator representing Ebonyi North. Nwaebonyi’s fawning is nauseating. On a television show, he acknowledged Akpabio, a first among equals senator, as “our father” and had to be rebuked like an erring kindergarten pupil by the anchor of the programme. Nwaebonyi later came back to attack Akpoti-Uduaghan in the unkindest manner as a serial philanderer. Thereafter came Ireti Kingibe and Neda Imasuen. While Kingibe, who claimed to have driven herself to the television station, struggled frenetically to make her female senator colleague the victimizer, she deodorized King Fox as her victim. Imasuen, chairman senate committee on ethics, even before his committee sat on the alleged infraction of Akpoti-Uduaghan, told the world on another television interview that Akpabio shared same beatification qualities with Angel Gabriel. The question then is, if Nwaebonyi, Kingibe, Yemi Adaramodu and Imasuen could externalize an issue on television and not the parliament, what criminalizes, in the so-called senate rules, Akpoti-Uduaghan doing same?
At the televised senate hearing, King Fox, in defiance of the rules of equity and justice, was judge, jury and accused who sat in judgment over his own case. Second, it was obvious that the foxes had gathered for Akpoti-Uduaghan’s legislative obsequies. It was also apparent that the executioners had been carefully selected for the job. One by one, the senators assembled arsenal with which to shed the Kogi senator’s blood. Chief Whip Mohammed Monguno clinically prepared the guillotine. Spears, axes, knives and swords were readied. Monguno stood up and went into oblique narration of how Standing Order 55(1) had been violated. Now, like an objectionable character, a meddlesome interloper who Yoruba call Karambani, Kogi West Senator, Sunday Karimi, acting like all fawners at the feet of power, admitted he put Akpabio in “this problem” because he pleaded with King Fox to allot chairmanship position to Akpoti-Uduaghan.
Then, Ade Fadahunsi, ex-Customs officer, representing Osun East, began his own gibber on the floor of the senate. While accepting that the senate was a consequential parliament and that its integrity(?) had gone down, Fadahunsi saw the allegation of sexual harassment against King Fox as “mere trivial matter” and admitted he didn’t “want to know what is the undercurrent.” In his parliamentary arrogance, Fadahunsi even saw it as “an insult” for “a radio we licensed” to invite a man alleged to have gone on a rampaging libido to come and explain what he saw inside the pot of soup that made him tilt his hands suggestively (t’ó rí l’obe t’ó fí gaaru ọwọ). Fadahunsi then lifted the bible to reify his doggerel, fawning over King Fox in the process.
Still during the executioners’ hearing aimed at taking Akpoti-Uduaghan through the gallows, Mohammed Dandutse, representing Katsina South senatorial district, stood up, his babanriga fluffing helplessly like the lame hand of an invalid. He waffled so pitiably that you would wonder what he was talking about. After him, Cyril Fasuyi, in his usual kowtow, did not fail to fawn. Even Senator Ita Giwa, on television, propounded a bizarre theory which argued that, once a woman had risen to become a senator, she was immune to sexual harassment. This pitiably suggested that a woman senator must have had enough of men to be moved by the typhoon of their harassment. Nigerians’ mouths were agape.
So many issues crop up from the Akpoti-Uduaghan travails. The first can be seen from Opeyemi Bamidele’s argument in favour of her suspension. During this executioners’ session, he argued that the Kogi senator must have been so execrable in behaviour that, all political parties, all genders and all age demographics were in alignment with King Fox against her. Opeyemi did not tell Nigerians that the executioner senators were only defending their esophaguses in the hands of King Fox.
As argued by many, the National Assembly is our modern day equivalent of the “I” as “We” thesis, the secrecy and single-purpose pursuit cult of the Yoruba Ogboni fraternity. Espoused by Peter Morton-Williams in his journal article entitled, “The Yoruba Ogboni Cult” (Africa: Journal of the International African Institute, Vol. 30, No. 4 (Oct., 1960, pp. 362-374) Morton-Williams didn’t follow Leo Frobenius’ earlier 1910 examination of the Ogboni cult in Ibadan, in the process of which he referred to its members as “mystery-mongering greybeards’.
Morton-Williams classified the Ogboni Cult into two grades membership – the Wé-Wé -Wé – ‘children’ of the cult, its junior grade Ologboni or Alawo (Owners of the Mystery or the Secret), and the the Olori Oluwo, ritual head of the Ogboni. The Nigerian senate is similarly classified, with the Senate President replicating the Oluwo. The senate chambers, which is akin to the Ilédì (lodge) of the Ogboni, is where secrets are lidded. In Ogboni cult, kolanuts are split and eaten as an act of reminder that the Ogboni members are bonded in secrecy. This act makes it very hard for any of the Ogboni to factionalize the fraternity and breaking the pod of secrecy that binds the cult. Any member who violates this code courts ritual sanction. As the Ẹdan Ogboni, a pair of brass/bronze figure that represents male/female, linked by a chain, is a symbol of membership and abidance by the rules, so is the Senate Order book. So, when Remi Tinubu, a woman who had also once been a victim of verbal sexual flagellation, also came out to reinforce the power of the secrecy of the Senate over an alleged debasement of womanhood, it only confirmed the fraternal solidarity of this modern senate cult.
The Akpoti-Uduaghan travails have so many symbolisms. One is gender, in which case, the Kogi senator is suffering the audacity of her femininity. In this patriarchal society, it is a crime for a woman to be beautiful, brainy and, on top of it, attempt to disrupt the status-quo. The penal sanction meted out to such disruptors is ostracism or death, as is in the Ogboni cult. Second is that, as the pigeon (eyele), the bird that eats and drinks with the house owner in time of plenty, the senate fraternity considers it sacrilegious for Akpoti-Uduaghan to repudiate the fraternity oath. The Ilédì, Senate chambers, a la Senator Ita Giwa, is home for the lascivious, the sleazy and the heart-wrenching. As the harvest for the seed of membership of Ogboni is prestige, wealth and societal honour, for the Nigerian senator, it is humongous cash. If Akpoti-Uduaghan is aquaphobic, not ready to face the ostracism that logically comes from fighting a fraternity’s status-quo of which she had been a member, she had no reason to jump inside the river.
For the man of power, sex is a conquest game, won either by shedding drops of a virile libido or the victory of ego over a woman traducer. It was what Adebanwi meant by his “the African man of power must display or exhibit his virility – particularly sexual virility.” As it stands now, Fox Akpabio has succeeded, according to Akpoti-Uduaghan’s unsubstantiated allegation, in being “made happy” through his summary execution of the Goose. For how long? Only time will tell.
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