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Dauda Epo Akara: 15 Years After | By  Waheed Ganiyu

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On February 18, 2005, the Awurebe exponent, Alhaji Dauda Akanmu Kolawole fondly called ‘Epo Akara’ breathed his last at the age of 62. His exit marked the end of musi-cultural era, the era of a generation of musicians whose roots are deep in the urban social fabric and heritage of the Yoruba people of Southwestern Nigeria.

Like Fuji, Awurebe genre evolved from ‘were’, which was a means of entertaining the muslim faithful in the holy month of Ramadan. His band name was formerly, ‘Dauda Epo Akara and His Ajisari Group, an indicative of the fact that he was playing ‘were’. He reportedly rebranded the group and adopted Awurebe group after returning from pilgrimage to Mecca in 1974.

Some of Epo Akara’s contemporaries in the early days of his music career were: Gani Kuti, Lawuyi Oke Eleta, Sakariyawu Ladoye(who later switched to drumming), Isiaka Ogidan, and Tunde Ayefele. Gani Kuti began his ‘were’ exploit at Boundary Area of Ajegunle, Lagos, before relocating to Ibadan. However, Epo Akara pioneered the brand, Awurebe and others followed suit. Unlike Fuji that it’s creator remains a subject of debate and controversy, Awurebe’s lordship has always been attributed to Epo Akara without dissention. Even the acclaimed Fuji progenitor, Late Dr. Sikiru Ayinde Barrister had at different times consistently traced Awurebe origin to Dauda Akanmu. For instance, in Barrister’s LP, ‘E sinmi Rascality’, released in 1982, while appreciating the leadership of each genre of Nigerian music, he sang:’olorun naa lo s’ola Awurebe fun Dauda mi Akanmu o…abata ta kete bi eni o b’odo tan, isi gaju’. Also, in ‘Fertilizer'(1985), Barrister confirmed Epo Akara’s authority: ‘Dauda Akanmu o, Epo Akara ni’lu Ibadan lo l’awurebe o’.

Epo Akara’s style was rooted in a blend of folksy traditional art and philosophy. Awurebe is the fusion of Apala, Sakara, Woro and even Dadakuada from Kwara state. It is the perfect blend of these various musical cultures that have given the genre a uniquely definitive identity.

 

Epo Akara’s music was not only about praise-singing, but also to comment on issues of national significance. He deployed his prowess to promote or condemn government policies and programmes. When the then Head of State, General Murtala Muhammed created additional seven(7) states on February 3, 1976, the Awurebe icon waxed an album, ‘Ipinle Tuntun'(Vol.7) to commend the military regime. ‘Ipinle ti e fun wa o ma dun mo wa o e. Ibadan pelu Oyo o, omo iya sa ni wa’. ‘we are delighted with the newly- created states, Ibadan and Oyo have become one’.

Alhaji Epo Akara’s love for Ibadan was unquantifiable. He lived there throughout his life; even when other notable musicians believed that their trade could only thrive in Lagos. He never hid his love for the largest city in West Africa. In ‘Ori mi dara’ (vol.6), he praised Ibadan as the base of the wealthy and the noble. ‘ilu Olowo Ibadan, ilu oloye ti wa ni, ori mi dara ni’badan na bi mi o e’. Also in another album, ‘Is Gaju’, he sang: ‘eeyan t’ori e ba ti daru o, lo le f’omo ‘badan sere o’. In all his LPs, he always celebrated the ascension of successive Olubadan to the throne.

One of the arch-rivals of Dauda Epo Akara was another Ibadan- based Awurebe star, Yisau Osupa Anabi. It was alleged that when Epo Akara travelled to Abidjan, Cote D’Ivore for a musical engagement in the late 70s, Osupa Anabi hurriedly released an album, alleging that Epo Akara had been arrested and jailed for drug trafficking. The record, according to a reliable source recorded high volume of sales to the extent that Epo Akara fans became jittery and devastated.

According to a surviving member of Epo Akara’s band, Pa Sakariyawu Ishola: ‘ Osupa Anabi released the album barely three days after our arrival at Abidjan. And our boss, being a talented musician and master of his trade did a rejoinder through his album ‘Abidjan Special’ to dispel the unfounded rumour’. Osupa Anabi had sung:’ijekuje ti e n je, imu ki mu ti e n mu o…ta lo ran yin lona ibe un’. Meanwhile Epo Akara in Abidjan Special replied: ‘ko ri fun o bi ero re si mi o e…awa o r’ewon ni’lu Abidjan o. Baba n gbo o, be n bu wa leyin ba o gbo,baba n gbo’. He also promoted the abundance of Ankara fabric in Abidjan, ‘ankara yebeyebe o wa l’abdijan’.

Dauda Epo Akara played the role of a peacemaker in the highly celebrated Barrister-Kollington feud in the early 80s. While the rift was tough and resulting to the Fuji musicians splitting into two factions of the warring Fuji gladiators, the Awurebe maestro dropped ‘Ija o pe’ in 1982 where he mentioned and appealed to the feuding musicians to seathe their swords. ‘Ibo la kii ‘yan de o, ta o fi máa ba ‘ra wa ja, Kolawole, ija o pe e’. The rift between Barrister and Kollington was subsequently settled with the intervention of the then Deputy Governor of Lagos state, Alhaji Rafiu Jafojo.

One sad moment that remained indelible in his lifetime was the loss of two of his band members, Omoboade and Dauda in an auto crash at Alapako Area of Lagos-Ibadan Expressway in 1975. The tragic occurrence occurred when Epo Akara band was returning from a musical outing in Lagos. According to one of his wives: ‘Alhaji didn’t like anyone playing or singing the lyrics of ‘Ijamba Moto’ in his presence as he would start crying’. It was gathered that Alhaji Dauda Epo Akara recorded the tribute track of ‘Ijamba Moto’ LP thrice, as he could not hold his tears in the two previous recording sessions.

In a chat with one of the Awurebe king protégé, Sule Epo Akara, whose stage name is ‘Oyinmiyinmi’, he referred to his late boss as a talented musician with humane personality. ‘Ha! Oga mi Akanmu Baba Tawa, Akanmu omo ta piti, iya e gbe e. Olorin ti o see f’owo ro seyin ni. He gladly encouraged me to establish my own band. ‘Alagbe ma je n tan o, o ti to da duro’. Sule Epo had fourteen albums to his name.

Benson Idonije, a prominent music critic said: ‘Epo Akara released over 80 albums and was also on the road performing at prestigious engagements. But it is sad that a musician of his stature did not enjoy international recognition and exposure’. Honestly, what the Awurebe maestro left behind doesn’t commensurate with his fame and works. He has just an uncompleted single-storey building along Lagos-Ibadan Expressway. This writer believes that Oyo State Government under the leadership of our amiable governor, His Excellency, Engineer Seyi Makinde could out of his usual magnanimity, post-humously honour this Oyo state music ambassador by renovating his house. For example, the immediate past administration of Senator Ibikunle Amosun of Ogun state, renovated the Itoko residence of late Apala legend, Ayinla Omowura, as his effigy has been erected on his grave.

But why has it been difficult for the children of these music icons to step in to their fathers’ shoes? For instance, Musiliu Haruna Ishola resurrected Apala with ‘resurrection’ in 1991 and after his hit album ‘soyoyo’, in 2002, his popularity has dwindled. Ayinla Omowura’s younger brother, Dauda Anigilaje and his son, Akeem fell by the way side before their deaths in 2005 and 2016 respectively. Perhaps, Omowura’s shoe was too big for them. The grandson of the sakara legend, Yusuf Olatunji, Abideen Ajasa Olatunji is trying his best in Abeokuta to keep Baba Legba’s legacy alive.
It is apparent that every individual has his or her endowment.

Mrs Baliqees Jejelola Aduke, an executive member of Epo Akara Fans Club affirmed that four of Dauda Epo Akara’s children are singing Awurebe: ‘yes, four of Alhaji’s children are singing. They are Alhaja Tawa, Ramoni, Sarafa and Suliyat’. Asked which of them possesses the trait of Epo Akara’s musical dexterity: ‘they are all superb with good voices and the shoulder-shrugging dance style of their father’, she replied.

Born in Ibadan in 1943, Dauda Akanmu Epo Akara started as an ‘Ajiwere’ (Ramadan early call) singer. He was discovered and signed up by Omo Aje Records under the astute management of the current Olubadan of Ibadanland, His Imperial Majesty, Oba Saliu Akanmu Adetunji, Aje Ogungunniso 1.

 

 

Waheed Ganiyu, Journalist and Media Consultant writes from Ibadan, Oyo state

 

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Iyabo Ojo Reveals Painful Past: “I Was Raped Five Times in My Life”

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Popular Nollywood actress, lyabo Ojo, has opened up about her traumatic experiences with sexual assault, revealing that she was a victim of rape on five separate occasions.

The emotional disclosure came during an interview with fellow actress, Biola Bayo on the talk show Talk to B.

In the heartfelt conversation, lyabo explained her staunch stance against sexual violence and her zero tolerance for rape apologists. She stressed that she would not hesitate to confront anyone guilty of the crime, even if it were her own son.

“I was raped five times in my life,” she said. “I discovered we have a lot of rape apologists. I don’t care who the person is; if that person is my son, I am going to come for him unapologetically.”

The actress also shared details of her challenging upbringing, revealing that she was raised by her grandmother and only met her mother at the age of seven.

“I grew up with my grandmother, who is half Delta and half Igbo. I think I was seven before I knew my mother,” she recounted.

lyabo further revealed the strained relationship she had with her father, who disowned her when she chose to marry her ex-husband against his wishes. Tragically, her father’s struggles with alcohol and drug addiction cut his life short at the age of 49.

“My dad did everything- alcohol and drugs -so it messed him up at a young age. He died at 49,” she said.

The actress also addressed rumours about her relationship with controversial singer, Naira Marley, clarifying that despite public perception, she has never met him in person.

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Wizkid Becomes First African Artist to Surpass 8 Billion Spotify Streams

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Nigerian music sensation Ayodeji Ibrahim Balogun, popularly known as Wizkid, has achieved a monumental milestone, becoming the first African artist to amass over eight billion streams on Spotify.

This feat solidifies his reputation as a global music phenomenon and a trailblazer in the Afrobeats genre.

Leading this historic achievement is One Dance, his chart-topping collaboration with Canadian superstar Drake, which has garnered over 2 billion streams, making it his most-streamed track on the platform.

Also, Wizkid’s Made in Lagos (Deluxe Edition) album has racked up close to 1 billion streams, marking it as his most successful body of work to date.

In comparison, fellow Afrobeats heavyweight Burna Boy follows closely with 7.2 billion streams, placing him as the second most-streamed African artist on Spotify. Wizkid also reigns as the most-followed Afrobeats artist on the platform, a testament to his ever-expanding fanbase and global influence.

This remarkable achievement underscores the growing global appeal of Afrobeats and highlights Wizkid’s pivotal role in bringing African music to the forefront of the international stage. It is an inspiration for emerging artists across the continent, proving that African music has the power to break barriers and set new records on a global scale.

Wizkid’s groundbreaking success is not just a personal victory but also a significant moment for African music, which continues to captivate audiences around the world.

 

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Funke Akindele Breaks Records Again! ‘Everybody Loves Jenifa’ Hits N500M in Just 12 Days

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Nollywood actress and filmmaker Funke Akindele has once again redefined box office success with her latest movie, Everybody Loves Jenifa.

The film has made history as the fastest Nollywood production to gross N500 million, achieving the milestone in just 12 days.

The blockbuster had earlier set another record for the highest-grossing one-day performance of all time, raking in N87.8 million on its best day.

Announcing the milestone through her Instagram account, Akindele expressed heartfelt gratitude to her fans for their unwavering support.

Sharing a celebratory graphic highlighting the movie’s N511 million earnings, she wrote, “Thank you, Lord!! Thank you everyone!!! I couldn’t have done this without your love and support!!!! God bless you all!!”

Everybody Loves Jenifa is the latest installment in the popular Jenifa series, chronicling the comedic yet relatable escapades of the titular character, Jenifa, played by Akindele.

The movie features a star-studded cast, including Falz, Nancy Isime, Stan Nze, and Layi, who bring depth and charm to the production.

Akindele’s achievements in the film industry continue to set new standards. Her 2023 movie, A Tribe Called Judah, still holds the title of the highest-grossing Nigerian film of all time.

Fans and critics alike have hailed Everybody Loves Jenifa for its humor, relatability, and stellar performances, making it a must-watch in Nigerian cinemas. With this latest feat, Funke Akindele reaffirms her position as a trailblazer in Nollywood.

 

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