Entertainment
Dauda Epo Akara: 15 Years After | By Waheed Ganiyu

On February 18, 2005, the Awurebe exponent, Alhaji Dauda Akanmu Kolawole fondly called ‘Epo Akara’ breathed his last at the age of 62. His exit marked the end of musi-cultural era, the era of a generation of musicians whose roots are deep in the urban social fabric and heritage of the Yoruba people of Southwestern Nigeria.
Like Fuji, Awurebe genre evolved from ‘were’, which was a means of entertaining the muslim faithful in the holy month of Ramadan. His band name was formerly, ‘Dauda Epo Akara and His Ajisari Group, an indicative of the fact that he was playing ‘were’. He reportedly rebranded the group and adopted Awurebe group after returning from pilgrimage to Mecca in 1974.
Some of Epo Akara’s contemporaries in the early days of his music career were: Gani Kuti, Lawuyi Oke Eleta, Sakariyawu Ladoye(who later switched to drumming), Isiaka Ogidan, and Tunde Ayefele. Gani Kuti began his ‘were’ exploit at Boundary Area of Ajegunle, Lagos, before relocating to Ibadan. However, Epo Akara pioneered the brand, Awurebe and others followed suit. Unlike Fuji that it’s creator remains a subject of debate and controversy, Awurebe’s lordship has always been attributed to Epo Akara without dissention. Even the acclaimed Fuji progenitor, Late Dr. Sikiru Ayinde Barrister had at different times consistently traced Awurebe origin to Dauda Akanmu. For instance, in Barrister’s LP, ‘E sinmi Rascality’, released in 1982, while appreciating the leadership of each genre of Nigerian music, he sang:’olorun naa lo s’ola Awurebe fun Dauda mi Akanmu o…abata ta kete bi eni o b’odo tan, isi gaju’. Also, in ‘Fertilizer'(1985), Barrister confirmed Epo Akara’s authority: ‘Dauda Akanmu o, Epo Akara ni’lu Ibadan lo l’awurebe o’.
Epo Akara’s style was rooted in a blend of folksy traditional art and philosophy. Awurebe is the fusion of Apala, Sakara, Woro and even Dadakuada from Kwara state. It is the perfect blend of these various musical cultures that have given the genre a uniquely definitive identity.
Epo Akara’s music was not only about praise-singing, but also to comment on issues of national significance. He deployed his prowess to promote or condemn government policies and programmes. When the then Head of State, General Murtala Muhammed created additional seven(7) states on February 3, 1976, the Awurebe icon waxed an album, ‘Ipinle Tuntun'(Vol.7) to commend the military regime. ‘Ipinle ti e fun wa o ma dun mo wa o e. Ibadan pelu Oyo o, omo iya sa ni wa’. ‘we are delighted with the newly- created states, Ibadan and Oyo have become one’.
Alhaji Epo Akara’s love for Ibadan was unquantifiable. He lived there throughout his life; even when other notable musicians believed that their trade could only thrive in Lagos. He never hid his love for the largest city in West Africa. In ‘Ori mi dara’ (vol.6), he praised Ibadan as the base of the wealthy and the noble. ‘ilu Olowo Ibadan, ilu oloye ti wa ni, ori mi dara ni’badan na bi mi o e’. Also in another album, ‘Is Gaju’, he sang: ‘eeyan t’ori e ba ti daru o, lo le f’omo ‘badan sere o’. In all his LPs, he always celebrated the ascension of successive Olubadan to the throne.
One of the arch-rivals of Dauda Epo Akara was another Ibadan- based Awurebe star, Yisau Osupa Anabi. It was alleged that when Epo Akara travelled to Abidjan, Cote D’Ivore for a musical engagement in the late 70s, Osupa Anabi hurriedly released an album, alleging that Epo Akara had been arrested and jailed for drug trafficking. The record, according to a reliable source recorded high volume of sales to the extent that Epo Akara fans became jittery and devastated.
According to a surviving member of Epo Akara’s band, Pa Sakariyawu Ishola: ‘ Osupa Anabi released the album barely three days after our arrival at Abidjan. And our boss, being a talented musician and master of his trade did a rejoinder through his album ‘Abidjan Special’ to dispel the unfounded rumour’. Osupa Anabi had sung:’ijekuje ti e n je, imu ki mu ti e n mu o…ta lo ran yin lona ibe un’. Meanwhile Epo Akara in Abidjan Special replied: ‘ko ri fun o bi ero re si mi o e…awa o r’ewon ni’lu Abidjan o. Baba n gbo o, be n bu wa leyin ba o gbo,baba n gbo’. He also promoted the abundance of Ankara fabric in Abidjan, ‘ankara yebeyebe o wa l’abdijan’.
Dauda Epo Akara played the role of a peacemaker in the highly celebrated Barrister-Kollington feud in the early 80s. While the rift was tough and resulting to the Fuji musicians splitting into two factions of the warring Fuji gladiators, the Awurebe maestro dropped ‘Ija o pe’ in 1982 where he mentioned and appealed to the feuding musicians to seathe their swords. ‘Ibo la kii ‘yan de o, ta o fi máa ba ‘ra wa ja, Kolawole, ija o pe e’. The rift between Barrister and Kollington was subsequently settled with the intervention of the then Deputy Governor of Lagos state, Alhaji Rafiu Jafojo.
One sad moment that remained indelible in his lifetime was the loss of two of his band members, Omoboade and Dauda in an auto crash at Alapako Area of Lagos-Ibadan Expressway in 1975. The tragic occurrence occurred when Epo Akara band was returning from a musical outing in Lagos. According to one of his wives: ‘Alhaji didn’t like anyone playing or singing the lyrics of ‘Ijamba Moto’ in his presence as he would start crying’. It was gathered that Alhaji Dauda Epo Akara recorded the tribute track of ‘Ijamba Moto’ LP thrice, as he could not hold his tears in the two previous recording sessions.
In a chat with one of the Awurebe king protégé, Sule Epo Akara, whose stage name is ‘Oyinmiyinmi’, he referred to his late boss as a talented musician with humane personality. ‘Ha! Oga mi Akanmu Baba Tawa, Akanmu omo ta piti, iya e gbe e. Olorin ti o see f’owo ro seyin ni. He gladly encouraged me to establish my own band. ‘Alagbe ma je n tan o, o ti to da duro’. Sule Epo had fourteen albums to his name.
Benson Idonije, a prominent music critic said: ‘Epo Akara released over 80 albums and was also on the road performing at prestigious engagements. But it is sad that a musician of his stature did not enjoy international recognition and exposure’. Honestly, what the Awurebe maestro left behind doesn’t commensurate with his fame and works. He has just an uncompleted single-storey building along Lagos-Ibadan Expressway. This writer believes that Oyo State Government under the leadership of our amiable governor, His Excellency, Engineer Seyi Makinde could out of his usual magnanimity, post-humously honour this Oyo state music ambassador by renovating his house. For example, the immediate past administration of Senator Ibikunle Amosun of Ogun state, renovated the Itoko residence of late Apala legend, Ayinla Omowura, as his effigy has been erected on his grave.
But why has it been difficult for the children of these music icons to step in to their fathers’ shoes? For instance, Musiliu Haruna Ishola resurrected Apala with ‘resurrection’ in 1991 and after his hit album ‘soyoyo’, in 2002, his popularity has dwindled. Ayinla Omowura’s younger brother, Dauda Anigilaje and his son, Akeem fell by the way side before their deaths in 2005 and 2016 respectively. Perhaps, Omowura’s shoe was too big for them. The grandson of the sakara legend, Yusuf Olatunji, Abideen Ajasa Olatunji is trying his best in Abeokuta to keep Baba Legba’s legacy alive.
It is apparent that every individual has his or her endowment.
Mrs Baliqees Jejelola Aduke, an executive member of Epo Akara Fans Club affirmed that four of Dauda Epo Akara’s children are singing Awurebe: ‘yes, four of Alhaji’s children are singing. They are Alhaja Tawa, Ramoni, Sarafa and Suliyat’. Asked which of them possesses the trait of Epo Akara’s musical dexterity: ‘they are all superb with good voices and the shoulder-shrugging dance style of their father’, she replied.
Born in Ibadan in 1943, Dauda Akanmu Epo Akara started as an ‘Ajiwere’ (Ramadan early call) singer. He was discovered and signed up by Omo Aje Records under the astute management of the current Olubadan of Ibadanland, His Imperial Majesty, Oba Saliu Akanmu Adetunji, Aje Ogungunniso 1.
Waheed Ganiyu, Journalist and Media Consultant writes from Ibadan, Oyo state
Entertainment
AMVCA 2025: Organisers Unveil Full List of Nominees

The Africa Magic Viewers’ Choice Awards (AMVCA) has unveiled the nominees for its highly anticipated 2025 edition, recognising outstanding achievements in African filmmaking, acting, and content creation.
The shortlist, released on Sunday night, features some of the most celebrated talents in the industry, with Uzor Arukwe and Omoni Oboli among the nominees. Uzor has been nominated for Best Supporting Actor for his role in Suspicion, while Omoni secured a spot in the Best Supporting Actress category for Wives on Strike 3.
This year’s AMVCA will feature 28 categories, including both voting and non-voting awards, covering various aspects of filmmaking, from acting and directing to cinematography and digital content creation.
Top Contenders and Categories
The Best Supporting Actress category boasts a stellar lineup, including Meg Otanwa (Inside Life), Tina Mba (Suspicion), Ireti Doyle (All’s Fair in Love), and Mercy Aigbe (Farmer’s Bride), among others. Meanwhile, Best Supporting Actor nominees include Adedayo Adebowale Macaroni (Lisabi: The Uprising), Richard Mofe-Damijo (Christmas in Lagos), and Gabriel Afolayan (Inside Life).
In the leading categories, Best Lead Actress nominees include Bimbo Ademoye (Anikulapo: Rise of the Spectre), Chioma Akpotha (Seven Doors), and Hilda Dokubo (The Uprising: Wives on Strike 3). Best Lead Actor contenders include Femi Adebayo (Seven Doors), Stan Nze (Suspicion), and Gideon Okeke (Tokunbo).
Celebrating African Creativity
This year’s edition features an exciting mix of Indigenous Language Films, with nominations for Seven Doors (Femi Adebayo), Lisabi: The Uprising (Adedimeji Lateef and Adebimpe Oyebade Adedimeji), and Anikulapo: Rise of the Spectre (Kunle Afolayan). The Best Movie category sees strong competition from Lisabi: The Uprising, Skeleton Coast, Suspicion, and House of Ga’a.
Other notable categories include Best Director, where nominees such as Bolanle Austen-Peters (House of Ga’a), Norman Maake (Inkabi), and Robert O Peters (Skeleton Coast) will battle for the top honour. The Best Cinematography award features Inkabi, The Legend of the Vagabond Queen of Lagos, and Agemo.
Additionally, the AMVCA recognises digital content creators, with nominees including J
Entertainment
Olamide Baddo: The Silent Architect Behind Afrobeats’ Biggest Stars

In the grand story of Afrobeats’ global rise, some names echo loudly in the mainstream, while others work quietly behind the scenes, shaping the industry’s direction and future. Olamide Adedeji, popularly addressed as ‘Olamide Baddo’, by his numerous fans, is one of the few rare genii that does both. One of the major pioneers of indigenous rap, a trendsetter of street hop, and the kingmaker of Nigeria’s biggest new-generation stars, Olamide has cemented his legacy not just as an artist, but as an empire builder.
For over a decade, his ‘Yahoo Boy No Laptop Nation’, better known as YBNL Nation or simply YBN label has been the launchpad for talents who now dominate the charts, proving that beyond being a hitmaker, Olamide is the silent architect of Afrobeats’ next generation. While others chase global headlines, he works quietly—discovering, nurturing, and elevating stars who redefine the industry.
The Making of a Legend: From ‘Bariga’ to the ‘Big Stage’
Born on March 15, 1989, in Bariga, Lagos, Nigeria, Olamide’s journey into music was driven by raw talent, resilience, and a deep connection to his roots. He struggled hard to burst onto the scene in 2011 with his debut album Rapsodi, introducing a unique blend of Yoruba rap and street lingo. His follow-up project, YBNL, cemented his place as a force to be reckoned with.
Since then, Olamide has consistently released hit albums, amassing an impressive 13 studio projects—a feat unmatched by most of his peers. His discography is a goldmine of anthems, from Durosoke, Shakiti Bobo, and Wo! to Infinity and Jinja among others.
But beyond his success, his biggest achievement lies in the stars he has introduced to the world. Olamide’s YBNL label has proven to be a powerhouse for nurturing and launching some of Nigeria’s biggest music stars.
YBNL’s Role in Afrobeats’ Evolution
While many artists focused solely on their careers, Olamide Baddo took a different path. In 2012, he founded YBNL Nation, a record label that has since become one of Nigeria’s most influential music powerhouses. Through YBNL, he has discovered and mentored some of the biggest names in the industry, including:
Lil Kesh
Olamide’s decision to sign Lil Kesh to YBNL in 2014 was one of the best moves for the young artist’s career. Under Olamide’s mentorship, Lil Kesh released hit singles like Shoki, Efejoku, and Gbese, which became street anthems across Nigeria. His unique ability to blend street hop with catchy hooks made him a fan favourite, and with Baddo’s guidance, he earned a Headies nomination for Next Rated in 2015. Though he later left YBNL to establish his own label, YAGI, Olamide’s influence remains a crucial part of his rise to stardom.
Adekunle Gold
Before joining YBNL, Adekunle Gold was primarily known as a graphic designer, even designing the YBNL logo. However, Olamide saw his musical potential and signed him in 2015, a move that transformed Adekunle Gold’s career. His debut single, Sade, became a massive hit, followed by songs like Orente and Pick Up. Olamide provided the platform and industry connections that allowed Adekunle Gold to transition from a struggling artist to a mainstream sensation. Today, AG Baby is one of the most successful alternative Afrobeat artists, and his foundation in YBNL played a huge role in that success.
Viktoh

Signed alongside Lil Kesh, Viktoh was one of the early members of YBNL, bringing a unique blend of rap and Afrobeat to the label. Although he didn’t achieve the same level of commercial success as some of his labelmates, his tracks like Skibi Dat and Me and My Guys showed promise. Olamide’s backing helped him gain recognition, but he eventually faded from the mainstream spotlight. Nonetheless, his time at YBNL gave him the platform to build a fanbase and industry connections.
Chinko Ekun
Known for his heavy punchlines and street rap skills, Chinko Ekun was another beneficiary of Olamide’s vision when he joined YBNL in 2015. His freestyle abilities set him apart, and under Baddo’s mentorship, he released tracks like Able God, which became a national anthem in 2018. Even after leaving YBNL, Olamide’s influence was evident in his career growth, as he continued to push indigenous rap forward in Nigeria’s music industry.
Davolee
Olamide signed Davolee as part of his mission to promote raw street talent, and the rapper didn’t disappoint. His storytelling ability stood out, especially in Festival Bar, where he detailed his struggles before fame. Although he didn’t stay long in YBNL, the exposure he got under Olamide helped him gain credibility in the industry. After exiting the label, he continued dropping music that resonated with the streets, a testament to the foundational training he received at YBNL.
Temmie Ovwasa
As the only female artist signed to YBNL at the time, Temmie Ovwasa brought a different vibe to the label with her soulful and alternative sound. Her debut track, Jabole, showcased her vocal depth, and with Olamide’s backing, she gained instant recognition. However, creative differences eventually led to her departure from YBNL. Despite this, Olamide’s platform helped her establish a presence in the industry, even as she later pursued a more independent artistic direction.
Fireboy DML
Perhaps the most commercially successful YBNL signee, Fireboy DML joined the label in 2018 and immediately took the industry by storm. His debut album, Laughter, Tears & Goosebumps, was a massive success, featuring hits like Jealous, What If I Say, and King. Olamide’s strategic push for Fireboy, including securing a partnership with Empire Distribution, played a major role in his rise. Fireboy’s sophomore album, Apollo, and the global success of Peru further cemented his place as one of Afrobeats’ biggest stars. Without Olamide’s vision and investment, Fireboy’s meteoric rise might not have happened.
Lyta
Lyta’s story is another example of Olamide’s generosity in nurturing young talent. Signed to YBNL in 2018, he quickly gained attention with Time, featuring Olamide. His melodic style made him a fan favourite, but internal issues led to his departure from the label. Despite leaving YBNL, the exposure he gained under Olamide helped him secure a fanbase, allowing him to continue his career independently, with later hits like Monalisa gaining international attention.
Limerick
A talented rapper discovered by Olamide via Instagram, Limerick’s signing to YBNL in 2018 was a big moment for his career. His debut single, Pesin, featuring Olamide, introduced him to a larger audience, and his sharp lyricism made him stand out. However, like many YBNL signees, he eventually left the label to pursue his career independently, though the platform Olamide provided helped put him on the map.
Picazo Rhap
Picazo Rhap’s journey to YBNL began when a viral freestyle caught Olamide’s attention, leading to his signing in 2018. He quickly gained buzz with his feature on Macaroni alongside Yomi Blaze. However, his time at the label was short-lived, as he left to carve out his own path. Despite this, Olamide’s early support gave him industry credibility, allowing him to maintain relevance in Nigeria’s rap scene.
Yomi Blaze
Signed alongside Picazo Rhap, Yomi Blaze was another street-hop rapper who benefited from Olamide’s influence. His aggressive rap style and energetic delivery earned him a spot in YBNL, but like Picazo, he left the label after a short stint. Despite this, his signing alone gave him significant industry exposure, proving Olamide’s impact in bringing underground rappers to mainstream attention.
Asake
The latest and arguably the most successful YBNL signee since Fireboy, Asake has taken the music industry by storm with his unique blend of Fuji, street-hop, and Amapiano. Signed in 2022, Asake quickly became a dominant force with hits like Sungba, Joha, and Omo Ope, all under Olamide’s guidance. Baddo’s mentorship, including personally featuring on his breakout single, gave Asake the push he needed to become a household name. With an impressive streak of chart-topping songs and a global fanbase, Asake stands as one of Olamide’s most successful protégés.
For every name that YBNL has produced, Olamide’s silent influence has shaped their journey. Unlike many label bosses, he doesn’t seek credit—he lets the success of his protégés speak for itself.
Badoo’s YBNL brand has established itself as a breeding ground for some of Nigeria’s most successful music stars. Beyond the artists he openly mentored and collaborated with, his keen eye for talent has quietly shaped the careers of several industry heavyweights, either through direct influence or behind-the-scenes support. His ability to discover and nurture raw potential remains unparalleled, as he has, both openly and in subtle ways, influenced the rise of numerous musical icons, including those he never officially signed or featured on songs but also freely blessed with verses.
Some of them are :
Zlatan Ibile
Olamide’s impact on Zlatan Ibile’s career was a game-changer, as his feature on My Body in 2017 gave Zlatan the visibility he needed to penetrate the Nigerian mainstream music scene. The song quickly became a street anthem, and the association with Baddo cemented Zlatan’s credibility in the industry. This exposure set the stage for his rise, leading to subsequent hits like Zanku and Bolanle, as well as the creation of the now-popular Zanku dance movement.
Bella Shmurda
Before Bella Shmurda became a household name, his breakthrough moment came when Olamide jumped on the remix of Vision 2020. The collaboration, released in 2019, amplified Bella’s reach and gave his street-conscious music a much-needed boost. The success of the remix opened doors for Bella, eventually leading to chart-topping hits like Cash App and Rush, as well as a spot among the new generation of Afrobeats superstars.
Portable
The emergence of Portable in 2021 was largely due to Olamide’s influence when he featured on the viral hit Zazoo Zehh alongside Poco Lee. The song became an instant sensation, turning Portable from an underground street artist into one of the most talked-about figures in the industry. Olamide’s co-sign not only elevated Portable’s career but also gave him the platform to navigate the industry with multiple endorsements and show appearances.
Naira Marley
Although Naira Marley was already building a fanbase with his controversial and street-savvy music, Olamide’s indirect influence helped shape his rise. Their collaboration on tracks like Issa Goal and Ko Si Werey pushed Naira Marley further into the limelight, particularly during the 2018 FIFA World Cup when Issa Goal became an unofficial anthem. The exposure he gained contributed to the formation of the Marlians movement, one of the most dedicated fan bases in Nigerian music.
CDQ
CDQ’s career took a defining turn when Olamide jumped on Indomie, a track that helped introduce him to a larger audience. The collaboration, released in 2015, became a massive club hit and positioned CDQ as a dominant voice in the indigenous rap scene. With Olamide’s influence, CDQ was able to refine his street-hop style, which later led to further hits like Nowo E Soke and Say Baba, solidifying his place in the industry.
Reminisce
Olamide and Reminisce have had a long-standing relationship as two of Nigeria’s leading indigenous rappers. Their collaboration on Local Rappers in 2015, alongside Phyno, was a cultural statement that reaffirmed the dominance of Yoruba and Igbo rap in mainstream Nigerian music. Olamide’s influence helped Reminisce maintain his street credibility and commercial appeal, ensuring that his music remained relevant to core hip-hop lovers.
T.I Blaze
In early 2022, Olamide gave T.I Blaze his big break by featuring on Sometimes (Remix), a song that captured the struggles of the streets. The remix gained massive airplay, bringing the previously unknown artist to the forefront of Nigeria’s music industry. This single not only boosted T.I Blaze’s career but also opened doors for collaborations with other mainstream artists, proving once again that an Olamide feature is a career-defining moment.
Bad Boy Timz
Olamide’s impact on Bad Boy Timz was evident in their collaboration on Loading, a standout track from Olamide’s Carpe Diem album. The song became a fan favorite, giving Timz a much-needed push in the industry. Following this exposure, he went on to win the Rookie of the Year award at the Headies, showing how a single feature from Baddo can accelerate an artist’s career trajectory.
Jaido P
Jaido P’s career took a major leap forward when Olamide featured on Tesinapot, a song that blended street hop with catchy lyrical flows. The collaboration, released in 2020, introduced Jaido P to a wider audience and positioned him as one of the promising acts in the industry. The Olamide effect was evident as the song gained massive traction across streaming platforms, giving Jaido P the recognition he needed to stay relevant.
Seyi Vibez
Although Olamide hasn’t directly collaborated with Seyi Vibez, his influence on the rising star is undeniable. Seyi Vibez’s sound, which combines street wisdom with soulful melodies, mirrors Olamide’s early career approach. Baddo’s endorsement of his music on social media helped bring more attention to Seyi Vibez, solidifying his status as one of the most promising artists in the Nigerian music industry today.
More Than Music: Oleamide’s Cultural and Business Influence
Olamide’s impact isn’t just limited to music. He has influenced fashion, street culture, and business, positioning himself as an icon for young Nigerians. His raw, unfiltered personality and deep connection to the streets make him a relatable figure, while his strategic business moves keep him ahead in an ever-changing industry.
From landing brand deals with multinational companies to running one of the most successful independent labels, Olamide’s playbook is one that aspiring musicians and entrepreneurs study closely.
What’s Next for Baddo?
Despite his legendary status, Olamide shows no signs of slowing down. Whether he’s dropping hit records, executive-producing new artists, or expanding his business empire, his presence in the entertainment scene remains undeniable. As Afrobeats continues its global takeover, one thing is certain—many of its biggest stars owe their success to the silent architect of the game, Olamide Baddo.
In an industry where many chase the spotlight, Olamide has proven that true power lies in building legacies, not just hits. His work behind the scenes has shaped the sound of Nigerian music today, and his impact will be felt for generations to come.
Long live the kingmaker!
Idowu Ayodele, a journalist and publisher of Mega Icon Magazine, writes from Ibadan, Oyo State. He can be reached via email at megaiconpress@gmail.com or through 08058893736, 07049626913.
Entertainment
Iyabo Ojo Reveals Painful Past: “I Was Raped Five Times in My Life”

Popular Nollywood actress, lyabo Ojo, has opened up about her traumatic experiences with sexual assault, revealing that she was a victim of rape on five separate occasions.
The emotional disclosure came during an interview with fellow actress, Biola Bayo on the talk show Talk to B.
In the heartfelt conversation, lyabo explained her staunch stance against sexual violence and her zero tolerance for rape apologists. She stressed that she would not hesitate to confront anyone guilty of the crime, even if it were her own son.
“I was raped five times in my life,” she said. “I discovered we have a lot of rape apologists. I don’t care who the person is; if that person is my son, I am going to come for him unapologetically.”
The actress also shared details of her challenging upbringing, revealing that she was raised by her grandmother and only met her mother at the age of seven.
“I grew up with my grandmother, who is half Delta and half Igbo. I think I was seven before I knew my mother,” she recounted.
lyabo further revealed the strained relationship she had with her father, who disowned her when she chose to marry her ex-husband against his wishes. Tragically, her father’s struggles with alcohol and drug addiction cut his life short at the age of 49.
“My dad did everything- alcohol and drugs -so it messed him up at a young age. He died at 49,” she said.
The actress also addressed rumours about her relationship with controversial singer, Naira Marley, clarifying that despite public perception, she has never met him in person.
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