Entertainment
Theatre Helps Raise Awareness on Human Trafficking in Most Affected Regions in Nigeria
The city of Benin in southern Nigeria was once the capital of the former Edo Kingdom of Benin, one of the oldest states in West Africa. It dates back to the 11th century.
Little remains of that kingdom. The once-mighty city is now the main “sender” place of origin of Nigerians migrating irregularly towards Libya in search of greener pastures in Europe.
To inform local youth about trafficking in persons and other risks of irregular migration, the International Organization for Migration (IOM) organized on 18 October three theatre performances in the Edo state capital. The performances marked the completion of an eight-month training in 17 communities in Edo and Delta states, two key migration-prone areas in Africa’s most populous country.
The open-air event brought together close to 100 individuals, who gathered to raise awareness about the plight of thousands of people who have suffered deception, abuse and exploitation along their migration journeys. Since early 2017, IOM has assisted some 15,171 men and women to voluntarily return to Nigeria. Most returned from Libya, Niger and Mali under the EU-IOM Joint Initiative for Migrant Protection and Reintegration.
Of those, 42 per cent came from Edo. The theatre project grouped 44 men and 33 women into five troupes performing 47 shows in 115 communities in Edo and Delta. From July through September this summer, those performances reached 8,403 individuals.
“Most of the actors are seeing theatre for the first time, so the training wasn’t easy. But I’m elated with the outcome,” said Lancelot Imasuen, a renown Nollywood filmmaker who led the project. “A lot of these people have the talent to pursue acting; some of them are even performing at the national arts and culture festival taking place this week in Benin City.”
Together with Imasuen, IOM helped audition the actors and performers and equipped them with materials, musical instruments and props. Imasuen, who directed the three plays titled Empty Waka, Dance of the Migrants and Trafficked, trained the participants on directing, script development, stage management, set and costume design, and make-up.
“We selected returnees, students, potential migrants, and their families to promote social cohesion as we have witnessed that many returnees face stigmatization upon return to their communities,” explained Cyprine Cheptepkeny, IOM Nigeria Awareness Raising Officer. “We chose theatre as an awareness raising tool to pass on the message in an entertaining way, going beyond the traditional information channels,” she added.
Those watching the plays in markets and other public spaces say they have been impacted by the stories. At one performance, a woman among the audience shared the story of her daughter. Based on that testimony, IOM was able to identify the daughter as a victim of trafficking. Following further investigation, IOM staff referred the case to the National Agency for the Prohibition of Trafficking in Persons (NAPTIP).
“In ancient Greece, theatre was seen as an instrument for social development and a means to express belief, approval or disapproval, pain and suffering,” said Eleni Zerzelidou, EU Project Officer, Migration and Drugs. “Community theatre nowadays goes beyond that. It comes from the community and it can help the community develop capacities for critical thinking on human trafficking and other issues affecting them.”
This project is part of IOM’s wider efforts to promote safe migration channels in Nigeria. At the end of October, IOM will organize the ‘Music for Safe Migration’ concert in Benin City, among other sensitization activities. The event was funded by the European Union through the EU Emergency Trust Fund for Africa (EUTF).
The Metropolitan Police have confirmed that eight people were stabbed and hundreds were arrested during last weekend’s Notting Hill Carnival, one of the world’s largest street festivals, held annually in west London.
In an update on their policing operation late Monday, the Met reported that five people were stabbed on the final day of the three-day celebration, which is internationally renowned for its vibrant display of British Afro-Caribbean culture.
This followed three other stabbings on Sunday. Three of the victims were left in life-threatening conditions.
Police made at least 230 arrests on Monday alone, including 49 for possession of an offensive weapon.
These arrests added to the scores of others made earlier in the weekend. In addition to the arrests, three firearms were seized, and 35 officers sustained injuries during the event, which attracts around a million attendees every August bank holiday weekend.
The number of arrests and incidents this year closely mirrors last year’s figures when there were 10 stabbings and approximately 300 arrests.
Despite the heavy police presence, with around 7,000 officers deployed, the carnival was once again marred by violence, particularly knife crime. Nevertheless, the vast majority of the hundreds of thousands of revellers enjoyed the event without incident, filling the streets of Notting Hill with colour, music, and dancing.
Deputy Assistant Commissioner, Ade Adelekan expressed his frustration over the recurring violence, noting that a woman attending the carnival with her child was among those stabbed.
“We only very narrowly avoided a fatality,” he said, urging attendees to report any crimes they witness.
The Notting Hill Carnival, a celebration of British Afro-Caribbean culture, has its roots in the 1950s, following the post-World War II influx of immigrants from former British colonies.
The annual event is known for its feathered dancers, steel bands, and earth-shaking sound systems, symbolizing the rich cultural heritage of the Afro-Caribbean community in the UK.
The Lagos State Police Command has freed renowned street artist, Habeeb Okikiola, popularly known as Portable, following a night spent in police detention.
Portable was apprehended on Tuesday in Lagos’ Abule Egba vicinity for purportedly defaulting on the balance payment for a G-Wagon vehicle he had purchased from an auto dealer.
Reports suggest that although the ‘Zazoo Zeh’ maestro acquired the vehicle valued at ₦27 million, he only disbursed ₦13 million, leaving a ₦14 million outstanding balance.
In footage that went viral, Portable was observed scaling a gate as law enforcement officers approached him with an arrest warrant.
Subsequently, another video emerged depicting him being restrained, handcuffed, and conveyed by approximately four policemen into a waiting vehicle.
During the altercation, a female voice, purportedly that of the car dealer, was heard in the background, issuing profanities and recounting Portable’s alleged threats when confronted about settling the debt.
The Police spokesperson in the state, Benjamin Hundeyin, confirmed that Portable was released on bail on Wednesday after spending Tuesday night in police custody.
He further disclosed that both Portable and the car dealer are expected to reconvene at a later date.
“He (Portable) has been released; he was granted bail on Wednesday to come back with the complainant later,” Hundeyin stated, stressing that “the outcome of that meeting will determine our next line of action.”
This incident marks not the first encounter between the singer and law enforcement.
In April 2023, Portable was detained by the police in Ogun State and arraigned on five charges related to alleged assault and theft at the Ifo Magistrate Court, in the Ifo Local Government Area of Ogun State.
Subsequently, he was held at the Ilaro Correctional Centre before being released upon meeting bail conditions.
In a recent inquiry into the untimely demise of Nigerian musician, Ilerioluwa Aloba, better known as Mohbad, held at the Lagos State University Teaching Hospital (LASUTH), Prof. Sunday Osiyemi, a Forensic Scientist and Pathologist, revealed that the results of the autopsy conducted on the deceased failed to unveil the cause of death.
Speaking before Magistrate Adedayo Shotobi, who presided over the coroner’s inquiry, Prof. Osiyemi cited various factors contributing to the inconclusive findings, notably the significant decomposition of the body due to the extended delay of 21 days before the autopsy was performed.
Highlighting the urgency of the situation, Senior Advocate of Nigeria, Wahab Shittu, representing Mohbad’s family, emphasised that according to the pathologist, the body should have been exhumed within 12 hours post-burial to prevent decomposition, a critical factor in determining the cause of death.
Shittu further elucidated that the pathologist referenced the administration of certain drugs to Mohbad before his demise, suggesting a potential correlation between the drugs and the difficulties encountered in pinpointing the cause of death.
“He also went further to say that it may be attributed to reactions to certain drugs administered on him before he died. Again he then qualified that to say he does not know whether it is those drugs that actually led to his death,” Shittu stated.
With the cause of death remaining elusive, the coroner adjourned the proceedings to June 11th for further examination and cross-examination of the pathologist’s findings, signaling a continuation in the quest for answers surrounding Mohbad’s untimely passing.
