Entertainment
Nigeria, Namibia’s young artists called to ‘Give art life’
The L’Atelier art competition is one of the longest-running and most prestigious visual arts competitions on the African continent. It was established in South Africa 33 years ago, but in recent years has been expanded to include a number of other African countries in order to reach more young artists and further the unparalleled opportunities it affords those who participate in the competition. For the first time in its history, this now includes the countries of Nigeria and Namibia.
This brings to 12 the number of African countries participating in the competition, which is jointly sponsored by Barclays Africa and the South African National Association for the Visual Arts (SANAVA). The other participating countries include South Africa, Botswana, Ghana, Zambia, Kenya, Uganda, Tanzania, Mauritius, Seychelles and Mozambique. L’Atelier rewards young visual artists with unparalleled industry opportunities to develop their talents abroad. As such, the competition is open to all professional and self-taught emerging artists aged 21 to 35 who are permanent residents of, and reside in, these qualifying countries. For thousands of artists across Africa whose creativity is their livelihood, art gives life. Now, L’Atelier is asking these artists to ‘Give art life’ as it calls for entries into this year’s competition. This inspiring theme of the 2018 competition reflects the idea that the highly acclaimed L’Atelier gives African contemporary art, and the fresh young talent behind it, a platform to thrive. This is evident in the once-in-a-lifetime opportunities presented through the competition. For the main winners, this includes a six-month art residency at the Cité internationale des arts in Paris, and a cash prize of R330 000. Similarly, the first Merit Award prize comprises a three-month art residency at the Bag Factory in South Africa; the second Merit Award, a two-month art residency at the Sylt Foundation, on the island of Sylt in Germany, and the third Merit Award, a one-month art residency with the Ampersand Foundation in New York, USA. All Top 10 finalists in the competition are also placed on a two-day art professionalism course to assist them in managing their careers – a vital aspect in helping young artists turn their talent into profitable businesses. Dr. Paul Bayliss, Absa Art and Museum Curator, says L’Atelier organisers and the entire adjudication panel are looking forward to seeing the works of artists from Namibia and Nigeria among this year’s entries. “We are very excited to welcome Namibian and Nigerian artists on board, and to see them join so many other artists from across the African continent in taking up the opportunities presented to them through this competition. L’Atelier has played a significant role in the careers of many influential visual artists from Africa, particularly the winners, who have benefited from the exposure afforded to them through the residencies.” “Since extending the competition to across the African continent, the response from young, up-and-coming artists has been incredible. This bears testament to the fact that emerging artists realise the immense value L’Atelier adds to their careers. It has been very encouraging to see Africa’s young artists making the most of the opportunities that are being created to support and help grow their careers. It’s important not only that artists take advantage of these opportunities, but that they put their best works forward when doing it,” says Bayliss. To enter the 2018 competition, artists simply need to visit the L’Atelier website at www.LAtelierCompetition.com click on the “enter L’Atelier 2018” button, and complete the required information. Registration opens on 1 February 2018, entries can be uploaded from 1 March 2018, and entries close on 27 April 2018. |
Entertainment
Eight Stabbed, Hundreds Arrested at Notting Hill Carnival
The Metropolitan Police have confirmed that eight people were stabbed and hundreds were arrested during last weekend’s Notting Hill Carnival, one of the world’s largest street festivals, held annually in west London.
In an update on their policing operation late Monday, the Met reported that five people were stabbed on the final day of the three-day celebration, which is internationally renowned for its vibrant display of British Afro-Caribbean culture.
This followed three other stabbings on Sunday. Three of the victims were left in life-threatening conditions.
Police made at least 230 arrests on Monday alone, including 49 for possession of an offensive weapon.
These arrests added to the scores of others made earlier in the weekend. In addition to the arrests, three firearms were seized, and 35 officers sustained injuries during the event, which attracts around a million attendees every August bank holiday weekend.
The number of arrests and incidents this year closely mirrors last year’s figures when there were 10 stabbings and approximately 300 arrests.
Despite the heavy police presence, with around 7,000 officers deployed, the carnival was once again marred by violence, particularly knife crime. Nevertheless, the vast majority of the hundreds of thousands of revellers enjoyed the event without incident, filling the streets of Notting Hill with colour, music, and dancing.
Deputy Assistant Commissioner, Ade Adelekan expressed his frustration over the recurring violence, noting that a woman attending the carnival with her child was among those stabbed.
“We only very narrowly avoided a fatality,” he said, urging attendees to report any crimes they witness.
The Notting Hill Carnival, a celebration of British Afro-Caribbean culture, has its roots in the 1950s, following the post-World War II influx of immigrants from former British colonies.
The annual event is known for its feathered dancers, steel bands, and earth-shaking sound systems, symbolizing the rich cultural heritage of the Afro-Caribbean community in the UK.
Entertainment
Portable Granted Bail After Night in Police Cell Over ₦14m Debt
The Lagos State Police Command has freed renowned street artist, Habeeb Okikiola, popularly known as Portable, following a night spent in police detention.
Portable was apprehended on Tuesday in Lagos’ Abule Egba vicinity for purportedly defaulting on the balance payment for a G-Wagon vehicle he had purchased from an auto dealer.
Reports suggest that although the ‘Zazoo Zeh’ maestro acquired the vehicle valued at ₦27 million, he only disbursed ₦13 million, leaving a ₦14 million outstanding balance.
In footage that went viral, Portable was observed scaling a gate as law enforcement officers approached him with an arrest warrant.
Subsequently, another video emerged depicting him being restrained, handcuffed, and conveyed by approximately four policemen into a waiting vehicle.
During the altercation, a female voice, purportedly that of the car dealer, was heard in the background, issuing profanities and recounting Portable’s alleged threats when confronted about settling the debt.
The Police spokesperson in the state, Benjamin Hundeyin, confirmed that Portable was released on bail on Wednesday after spending Tuesday night in police custody.
He further disclosed that both Portable and the car dealer are expected to reconvene at a later date.
“He (Portable) has been released; he was granted bail on Wednesday to come back with the complainant later,” Hundeyin stated, stressing that “the outcome of that meeting will determine our next line of action.”
This incident marks not the first encounter between the singer and law enforcement.
In April 2023, Portable was detained by the police in Ogun State and arraigned on five charges related to alleged assault and theft at the Ifo Magistrate Court, in the Ifo Local Government Area of Ogun State.
Subsequently, he was held at the Ilaro Correctional Centre before being released upon meeting bail conditions.
Entertainment
Autopsy Results Fail to Determine Cause of Mohbad’s Death
In a recent inquiry into the untimely demise of Nigerian musician, Ilerioluwa Aloba, better known as Mohbad, held at the Lagos State University Teaching Hospital (LASUTH), Prof. Sunday Osiyemi, a Forensic Scientist and Pathologist, revealed that the results of the autopsy conducted on the deceased failed to unveil the cause of death.
Speaking before Magistrate Adedayo Shotobi, who presided over the coroner’s inquiry, Prof. Osiyemi cited various factors contributing to the inconclusive findings, notably the significant decomposition of the body due to the extended delay of 21 days before the autopsy was performed.
Highlighting the urgency of the situation, Senior Advocate of Nigeria, Wahab Shittu, representing Mohbad’s family, emphasised that according to the pathologist, the body should have been exhumed within 12 hours post-burial to prevent decomposition, a critical factor in determining the cause of death.
Shittu further elucidated that the pathologist referenced the administration of certain drugs to Mohbad before his demise, suggesting a potential correlation between the drugs and the difficulties encountered in pinpointing the cause of death.
“He also went further to say that it may be attributed to reactions to certain drugs administered on him before he died. Again he then qualified that to say he does not know whether it is those drugs that actually led to his death,” Shittu stated.
With the cause of death remaining elusive, the coroner adjourned the proceedings to June 11th for further examination and cross-examination of the pathologist’s findings, signaling a continuation in the quest for answers surrounding Mohbad’s untimely passing.
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